Understanding Narrative Transportation Using Gemini Deep Research

In a previous post I discussed Embracing Narrative Transportation as a way to enhance the impact of your personal stories. And while I enjoy writing articles about storytelling, I’ve been exploring AI (Artificial Intelligence) to broaden my research capabilities.

I have to say, it’s amazing to watch these Chatbots in action. They are fast, and comprehensive in their reach, but they don’t replace humans as they still don’t have human experiences that we have, but they are able to locate and analyze information faster than any human.

So I decided to see what some of the latest chatbots had to say about the topic of Narrative Transportation with regards to crafting impactful personal stories. In part three, I asked Gemini Deep Research what it thought. While it’s a long article, if you have an interest in AI, it’s an interesting read.

Input:

In this case, I asked Gemini Deep Research to examine how the principles of narrative transportation could be used to create impactful personal stories.

Output:

Here’s what Google Deep Research had to say:

Understanding Narrative Transportation for Impactful Personal Storytelling

 

I. Defining the Power of Narrative Transportation in Personal Storytelling

The human experience is inherently social, and at its core lies the fundamental act of storytelling. From ancient oral traditions to modern digital platforms, individuals have consistently sought to connect with one another through the sharing of narratives. Personal stories, in particular, hold a unique power to forge connections, impart wisdom, and inspire action. These narratives, when crafted and delivered effectively, can resonate deeply with audiences, leaving a lasting impression that transcends mere information exchange.

A crucial element in achieving this profound impact is the psychological phenomenon known as Narrative Transportation. This process allows individuals to become fully absorbed in a story, experiencing a sense of being transported into the narrative world, which in turn significantly enhances the story’s influence 1.

Understanding and harnessing the principles of Narrative Transportation can provide invaluable guidance for individuals seeking to craft personal stories that truly resonate and leave a meaningful mark on their listeners or readers. This report aims to delve into the theoretical underpinnings of Narrative Transportation, explore its multifaceted mechanisms and far-reaching effects, and ultimately translate these academic insights into practical, actionable guidance for anyone aspiring to tell impactful personal stories.

II. Exploring Core Components and Definitions of Narrative Transportation

At its essence, Narrative Transportation is an experiential state characterized by a profound sense of immersion within a narrative 2. It is a process through which an individual’s mental energies, encompassing attention, emotions, and imagery, become predominantly focused on the unfolding events within the story 3. This deep concentration often leads to a feeling of being lost in the narrative, where the boundaries between the real world and the story world temporarily blur 4.

Individuals experiencing Narrative Transportation become cognitively, emotionally, and imaginatively absorbed in the narrative, regardless of the medium through which it is conveyed, be it written text, spoken word, or audiovisual presentation 5. This state of absorption can be so complete that individuals may momentarily disconnect from their immediate surroundings, feeling as if they have been imaginatively transported into the world created by the storyteller 4.

Key features that characterize this phenomenon include a heightened focus of attention on the narrative, a strong emotional response often involving empathy for the characters, the formation of vivid mental images of the story’s events and settings, and a temporary detachment from the realities of their own environment 6.

This immersion can subsequently lead to a shift in the audience’s beliefs and attitudes, aligning them more closely with those presented within the narrative, and a reduced tendency to critically evaluate or counter-argue the story’s content 6. The impact of a transported narrative can also extend beyond the immediate experience, potentially influencing long-term behaviors and attitudes 6.

The concept of Narrative Transportation, while seemingly straightforward, has a rich history within psychological research. Richard Gerrig, a prominent figure in cognitive psychology, first formally defined the concept within the context of novels, using the metaphor of travel to describe the reader’s journey into the story world, where they become detached from their original reality due to deep engagement 2.

Melanie Green and Timothy Brock significantly expanded upon this initial conceptualization, developing a measure to assess the extent to which individuals become absorbed in a narrative and further describing transportation as the experience of being carried away by a story 2. Their work has been foundational in establishing Narrative Transportation as a distinct and influential psychological construct 3.

While Narrative Transportation shares similarities with other concepts describing immersive experiences, such as absorption, narrative involvement, identification, flow, and immersion, critical distinctions exist 6. For instance, flow is a more general state of optimal experience applicable to various activities, whereas transportation specifically entails empathy and mental imagery within the context of a narrative 6.

Immersion is often linked to aesthetic and visual elements, while Narrative Transportation relies on a story with a plot and characters 6. Identification focuses on involvement with story characters, whereas transportation pertains to engagement with the narrative as a whole 6. Understanding these nuances is crucial for appreciating the specific mechanisms and effects associated with Narrative Transportation in the realm of personal storytelling.

III. Factors that Foster or Impede Narrative Transportation

The depth of Narrative Transportation is influenced by a complex interplay of factors related to the story itself, the audience, and the surrounding situation 3. Certain characteristics inherent in a narrative can significantly enhance its ability to transport an audience. These story factors include the overall coherence and logical flow of events, the degree to which the plot is developed and engaging, and the depth and believability of the characters 5.

Stories that adhere to a consistent set of rules within their narrative world and maintain a sense of psychological realism, even in fantastical settings, tend to be more transporting 5. Elements such as suspense, dramatic tension, and emotional intensity also play a crucial role in capturing and sustaining audience attention, thereby fostering transportation 5. Furthermore, the personal relevance of the story to the audience and whether the narrative is presented in the first or third person can also impact the level of transportation experienced 2.

Empathy and identification with the characters are particularly potent drivers of narrative transportation, allowing the audience to connect with the story on a deeper emotional level 4. In addition to the characteristics of the story itself, individual differences among audience members also contribute significantly to the transportation experience 3.

An individual’s general tendency to become absorbed in narratives, often referred to as transportability, is a key factor 3. Traits such as empathy, sensation seeking, need for cognition, openness to experience, and extraversion have also been shown to correlate with higher levels of narrative transportation 3. Prior knowledge and familiarity with the subject matter or setting of the story can further enhance transportation by making the narrative world more accessible and relatable 3.

Even the situational context in which a story is received can influence transportation 3. A quiet environment free from distractions allows for greater focus and immersion in the narrative 5. Conversely, interruptions or competing stimuli can significantly hinder an individual’s ability to become transported 5. Interestingly, the presence or reactions of others while experiencing a narrative, such as co-viewing a film, can also affect the level of transportation and its subsequent impact 8.

Certain elements can actively impede the process of Narrative Transportation. A lack of coherence or clarity in the narrative, the presence of errors or inconsistencies, or a narrative structure that is difficult to follow can disrupt audience immersion 8. If the audience perceives a lack of verisimilitude or psychological realism, or if their personal experiences contradict the events or claims within the story, transportation can be significantly diminished 3.

Furthermore, if the audience suspects that the storyteller has a hidden agenda or is being overtly manipulative, they may become less receptive to the narrative, hindering the transportation process 11. Even seemingly minor factors, such as a focus on superficial aspects of the story like grammar, can distract from the immersive experience 11. Understanding these facilitators and inhibitors of Narrative Transportation is crucial for individuals aiming to craft personal stories that effectively captivate and engage their audience.

IV. How Narrative Transportation Shapes Audience Beliefs, Attitudes, Emotions

A significant outcome of Narrative Transportation is its profound influence on an audience’s beliefs 5. When individuals become deeply immersed in a story, they tend to adopt beliefs that are consistent with the narrative’s content 5. This phenomenon occurs, in part, because transportation often leads to a reduction in counterarguing 5.

Engrossed in the narrative world, the audience is less likely to critically evaluate the information presented, making them more open to accepting the story’s perspective 5. Furthermore, the experience of transportation can make narrative events feel more like real experiences, further solidifying their impact on beliefs 13. This influence can extend to self-related beliefs, as narratives featuring characters with specific traits can temporarily affect the audience’s own perceptions of themselves 15.

The power of Narrative Transportation also extends to shaping attitudes 3. Attitudes formed or changed through transportation tend to be strong and resistant to counter-persuasion 13. By fostering connections with characters and evoking relevant emotions, personal stories can effectively influence how audiences feel about certain subjects or individuals 5.

The emotional impact of Narrative Transportation is particularly noteworthy 2. Transported individuals often experience strong emotions that are congruent with the events and emotional tone of the narrative 3. This emotional engagement, particularly empathy for the characters, is a key driver of transportation and a crucial element in making personal stories resonate with an audience 4.

Even narratives that evoke unpleasant emotions can be transporting, as they allow the audience to vicariously explore these feelings within the safety of the story world 5. The ability of Narrative Transportation to influence beliefs, attitudes, and emotions underscores its power as a tool for impactful personal storytelling.

V. Applying Narrative Transportation to Craft Compelling Personal Narratives

Drawing upon the theoretical framework of Narrative Transportation, several key principles emerge that can guide individuals in crafting more impactful personal stories. One fundamental principle is the importance of creating an immersive experience for the audience 2. This can be achieved through the use of vivid imagery and sensory details that allow the audience to mentally visualize the events and settings of the story 2.

Another crucial principle is the need to foster emotional engagement, particularly by creating relatable characters and situations that evoke empathy in the audience 2. A well-structured narrative with a clear beginning, rising action, climax, and resolution helps maintain audience engagement and facilitates transportation 5. Developing characters with understandable motivations and emotions that resonate with the audience is also essential 5.

For personal stories, adopting a first-person perspective can often enhance identification and create a stronger sense of immediacy, further promoting transportation 2. Finally, ensuring psychological realism, even within fictionalized elements, helps the audience remain immersed in the narrative 5. Translating these principles into practical strategies involves several key actions for personal storytellers.

Employing descriptive language that appeals to the senses is crucial for creating vivid mental images 4. Sharing personal vulnerabilities and emotions honestly can foster empathy and connection with the audience 27. Structuring the story with a clear arc, including moments of tension and resolution, will keep the audience engaged 25. Developing the “character” of the storyteller (oneself) and any other individuals in the narrative with relatable traits and motivations will enhance connection 25.

Choosing a first-person narrative style can create a sense of intimacy and draw the audience closer to the experience 26. Ensuring that the story’s events and character behaviors are believable within the given context, even if the context is unusual, will maintain audience immersion 8. By consciously applying these principles and strategies, individuals can significantly enhance the impact of their personal stories through the power of Narrative Transportation.

VI. Narrative Elements and Techniques for Enhancing Transportation

Several narrative elements and techniques can be strategically employed to deepen audience immersion and foster Narrative Transportation. The structure of the plot, including its pacing and the unfolding of events, plays a vital role in capturing and maintaining audience engagement 5. A well-paced story with rising action, a compelling climax, and a satisfying resolution can effectively draw the audience into the narrative world and keep them there 25. The development of characters, particularly the storyteller themselves in a personal narrative, is crucial for fostering emotional connection 5.

Creating believable and relatable characters with whom the audience can empathize significantly enhances transportation 4. The setting and atmosphere of the story also contribute to immersion. Vivid descriptions that evoke a strong sense of place can transport the audience into the story world, making the experience more tangible and engaging 26. Connecting the personal story to broader themes that resonate with universal human experiences can also deepen the audience’s engagement and make the narrative more impactful 26.

Specific storytelling techniques can further enhance Narrative Transportation. The use of sensory details and imagery, employing language that appeals to sight, sound, smell, taste, and touch, creates vivid mental pictures in the audience’s mind, drawing them deeper into the narrative 4.

Realistic and engaging dialogue can bring characters to life and make the story feel more immediate and relatable 26. Building suspense and tension by creating anticipation and uncertainty can keep the audience on the edge of their seats, maintaining their focus and emotional investment in the story 5.

Adopting a first-person perspective (“I”) can foster a closer connection between the storyteller and the audience, allowing the audience to experience the events through the storyteller’s eyes, which can enhance identification and transportation 2. Finally, the principle of “show, don’t tell” encourages storytellers to illustrate events and emotions through action, description, and dialogue rather than simply stating them, creating a more immersive and engaging experience for the audience 40.

Table 1: Narrative Techniques and their Impact on Narrative Transportation

Narrative TechniqueHow it Enhances TransportationSnippet References
Vivid Sensory DetailsCreates mental imagery, engages imagination4
First-Person NarrationFosters identification, creates intimacy and immediacy2
Building Suspense & TensionMaintains attention, heightens emotional engagement5
Relatable CharactersEncourages empathy, fosters connection5
Coherent Plot StructureFacilitates cognitive immersion, maintains engagement5

VII. Limitations and Considerations of Narrative Transportation

While Narrative Transportation is a powerful tool for enhancing the impact of personal stories, it is crucial to acknowledge its potential limitations and consider the ethical implications of its use. One significant drawback is the potential for negative persuasion 5. If a personal story, even if highly transporting, promotes harmful beliefs or attitudes, it can have detrimental effects on the audience.

For instance, a narrative that normalizes risky behaviors or reinforces negative stereotypes could inadvertently lead transported individuals to adopt these perspectives 5. Therefore, personal storytellers must be mindful of the messages they convey and strive to promote positive and ethical values. Another consideration is the potential for the audience to perceive an underlying agenda 11.

If the persuasive intent of the storyteller is too overt, or if the audience suspects manipulation, the effectiveness of Narrative Transportation may be diminished. Transparency and authenticity are key in personal storytelling. While aiming for impact often involves some degree of persuasion, the primary focus should be on genuine connection and sharing of experience. Overly manipulative narratives can erode trust and hinder the transportation process 11.

Ethical considerations are paramount when utilizing Narrative Transportation to craft impactful personal stories. Storytellers have a responsibility to be authentic and honest in their narratives 35. Avoiding manipulation and respecting the audience’s autonomy are essential ethical principles 43. Personal narratives should aim to connect and resonate with the audience without seeking to exploit their emotional engagement for potentially harmful ends.

Furthermore, storytellers should be sensitive to the potential for their narratives to evoke emotional distress or promote negative persuasion, particularly when dealing with sensitive or controversial topics 5. By carefully considering these limitations and adhering to ethical guidelines, individuals can harness the power of Narrative Transportation in a responsible and meaningful way.

VIII. Case Studies of Impactful Personal Stories Through a Transportation Lens

While the provided material does not contain specific in-depth case studies of personal storytelling analyzed through the lens of Narrative Transportation, several examples within the snippets illustrate the principles at play in various narrative contexts. For instance, a study mentioned a story about a gay man attending a fraternity reunion, which led to higher transportation among participants familiar with fraternity life or who had LGBTQ+ friends and family 5.

This example highlights the role of audience factors, specifically prior knowledge and personal connection, in enhancing narrative transportation. The familiarity with the setting and characters likely made the story more relatable and easier to imagine, leading to greater immersion. Another example involves Manga comics where a character fights bad guys by eating healthy food, which reportedly led children to change their food choices 14. This illustrates how transportation into a narrative, even a fictional one, can influence beliefs and behaviors related to health.

The engaging format and relatable characters likely fostered transportation, making the message about healthy eating more impactful. Furthermore, a study tested a counter-stereotypical story about a Muslim-Arab woman in the United States, finding that a longer story with descriptive dialogue reduced prejudice and increased empathy among participants 10. This demonstrates how well-developed characters and vivid language can foster empathy and transportation, leading to positive shifts in attitudes towards a particular group.

An advertisement for a car depicting a smiling couple driving to a beach is also cited as an example of how narrative transportation can promote a product’s benefits without the audience consciously realizing they are being persuaded 24. The vivid imagery and aspirational scenario likely transport viewers into a desirable situation, associating positive emotions with the product.

These examples, while not all strictly personal narratives, underscore the key principles of Narrative Transportation in action. They demonstrate how relatable characters, vivid imagery, engaging plots, and connections to the audience’s experiences can lead to greater immersion and influence beliefs, attitudes, and behaviors. By analyzing these instances, individuals seeking to craft impactful personal stories can glean valuable insights into effective techniques for fostering narrative transportation.

IX. Understanding Narrative Transportation within Broader Narrative Theories

Narrative Transportation Theory finds its place within the broader academic landscape of narratology, the study of narrative and narrative structure, and narrative psychology, which examines how individuals and groups make sense of their lives through stories 2. Narratology, as a field, explores the fundamental elements of storytelling and how these elements affect human perception 48.

Narrative Transportation, with its focus on the psychological experience of being immersed in a narrative world, provides a valuable lens through which to understand how the structural and contextual aspects of stories impact audiences on a cognitive and emotional level 2. Cognitive narratology, a more recent development within the field, specifically examines how humans make sense of stories and use them as sense-making instruments 48.

The effects of Narrative Transportation, such as shifts in beliefs and attitudes, directly align with cognitive narratology’s interest in how narratives shape our understanding of the world 47. Narrative psychology, on the other hand, delves into how narratives operate within individuals and collective groups, shaping identities and influencing cognitive processes 47. Narrative Transportation can be viewed as a key mechanism through which personal and collective narratives exert their influence on self-understanding and behavior 47.

When individuals become transported into a personal story, it can lead to reflection on their own lives and potentially influence their self-perception, a central concern of narrative psychology. Furthermore, Narrative Transportation offers a distinct perspective compared to other persuasion theories, such as Elaboration Likelihood Model (ELM) 6.

While ELM posits that persuasion occurs through either central (logical and thoughtful processing) or peripheral (reliance on cues and heuristics) routes, Narrative Transportation suggests persuasion can also occur through an experiential and emotional pathway 6.

In the context of personal storytelling, where emotional connection and relatability are often paramount, understanding this distinction is crucial. Narrative Transportation highlights the power of engaging the audience’s emotions and imagination to foster belief and attitude change, offering a complementary approach to more traditional, argument-based persuasion methods.

X. Conclusion: Harnessing Narrative Transportation for Personal Storytelling

In conclusion, Narrative Transportation is a potent psychological phenomenon that significantly enhances the impact of storytelling, particularly in the realm of personal narratives. It is characterized by a deep sense of immersion in a story, where attention, emotions, and imagery converge on the narrative world, leading to a temporary detachment from reality 2.

This state of absorption can profoundly influence an audience’s beliefs, attitudes, and emotions, often leading to greater acceptance of the story’s perspective and reduced critical evaluation 5. By understanding the factors that foster (such as vivid imagery, emotional engagement, coherent plot, relatable characters, and first-person perspective) and hinder (such as errors, lack of realism, and perceived manipulation) transportation 2, individuals can strategically craft their personal stories to maximize audience immersion and resonance.

The principles derived from Narrative Transportation Theory provide actionable guidance for storytellers, emphasizing the importance of creating immersive experiences, fostering empathy, structuring narratives effectively, developing relatable characters, and considering the impact of narrative perspective 2. While the power of Narrative Transportation is undeniable, it is crucial for storytellers to be mindful of the ethical considerations involved, ensuring authenticity, avoiding manipulation, and promoting positive messages 5.

By consciously harnessing the principles and techniques of Narrative Transportation, individuals can elevate their personal storytelling, creating narratives that not only captivate their audience but also leave a lasting and meaningful impact. Future research could further explore the application of these principles across diverse cultural contexts and media to refine our understanding of how Narrative Transportation can be most effectively leveraged in personal storytelling.

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Understanding Narrative Transportation Using NotebookLM

In a previous post I discussed Embracing Narrative Transportation as a way to enhance the impact of your personal stories. And while I enjoy writing articles about storytelling, I’ve been exploring AI (Artificial Intelligence) to broaden my research capabilities.

I have to say, it’s amazing to watch these Chatbots in action. They are fast, and comprehensive in their reach, but they don’t replace humans as they still don’t have human experiences that we have, but they are able to locate and analyze information faster than any human.

So I decided to see what some of the latest chatbots had to say about the topic of Narrative Transportation with regards to crafting impactful personal stories. In part two, I asked NotebookLM what it thought. While it’s a long article, if you have an interest in AI, it’s an interesting read.

Input:

As Google’s NotebookLM queries the sources that have been uploaded to a specific notebook, I added 42 sources that discussed some aspect of narrative transportation. Then I asked 8 questions, which are listed in the following text, along with the output from NotebookLM

Output:

Here’s what NotebookLM had to say:

Overview

The provided texts collectively explore the multifaceted nature and impact of narrative. Monika Fludernik‘s work offers a comprehensive introduction to narratology, defining narrative elements and theoretical frameworks for understanding storytelling across various media. Lisa Libby and Melanie Green examine the psychological phenomenon of narrative transportation, investigating how engagement with stories influences beliefs, attitudes, and self-perception, even in the face of conflicting information.

Helenq Bilandzic focuses on measuring narrative engagement, identifying its components and relationship to concepts like identification. Martin Payne’s “Narrative Therapy” discusses the application of storytelling principles in therapeutic contexts, emphasizing the power of personal narratives in shaping identity and facilitating change. Finally, Lucas Bietti and Kurt Braddock, along with Michael Dahlstrom and William Buchanan, investigate the adaptive functions of storytelling and the persuasive effects of narrative on beliefs and cognitive processes like recall and comprehension, highlighting the immersive “experience” of transportation into a story world.

Questions

(1) What are the core components and definitions of Narrative Transportation as described in the provided documents?

Narrative transportation is an experiential state of immersion in which all mental processes are concentrated on the events occurring in the narrative. It’s the process that enables narrative persuasion, occurring when a person becomes so immersed in a story that they feel as if they are truly experiencing it.

Here are some core components and definitions of narrative transportation as described in the sources:

    • Definition: Narrative transportation is defined as a convergent mental process where all mental systems and capacities become focused on events occurring in the narrative. It involves individuals becoming absorbed into a story world. This psychological state varies depending on the text or media product, the recipient, the situation, and interactions between these factors.
  • Key Components: Several key cognitive and emotional components contribute to narrative transportation:
    • Focused Attention: Receivers become so focused on the story that they do not think about distractions in their environment. A high level of focus or attention to the narrative is considered a necessary but not sufficient condition for transportation.
    • Emotional Engagement (including Empathy): There is a strong emotional response to the story with empathy for the characters. Transportation involves empathy, where story receivers try to understand the experience of a story character, knowing and feeling the world in the same way.
    • Mental Imagery: Receivers have a mental image of the story in their heads or try to predict what might happen in the future of the story. Story receivers generate vivid images of the story plot, feeling as though they are experiencing the events themselves.
    • Cognitive Detachment from Reality (Suspended Reality/Loss of Access to the External World): When transported, story receivers lose track of reality in a physiological sense. They mentally leave the real world behind and become entirely focused on the story world, although recent perspectives emphasize this is a dynamic process. This also includes a lack of awareness of surroundings.
  • Related Concepts and Distinctions:
    • Narrative transportation is distinct from a narrative itself, which is an antecedent of narrative transportation. Narratives are defined as a connected series of events that typically include the actions and experiences of one or more protagonists that are causally related.
    • While similar to other experiential constructs like absorption, flow, and immersion, narrative transportation has specific characteristics. Absorption is a personality trait, while transportation is temporary. Flow is more general, while transportation specifically entails empathy and mental imagery. Immersion is more related to aesthetic and visual elements, whereas transportation relies on a story with plot and characters. Identification emphasizes involvement with characters, while transportation concerns involvement with the entire narrative.
  • Outcomes: Narrative transportation can lead to several outcomes:
    • Belief and Attitude Shift: Transportation can influence receivers’ beliefs, attitudes, intentions, and behaviors, aligning them with the story’s content.
    • Reduced Counterarguing: When engrossed in a narrative, the receiver is less likely to challenge the story’s content.
    • Story-consistent beliefs and favorable evaluations of protagonists.
  • Factors Influencing Transportation: The degree of transportation depends on various factors related to the story (e.g., narrativity, quality, coherence, characters), the recipient (e.g., transportability, need for affect), the medium, and the situation. Narrativity, which includes content dimensions and structural features like a sequence of causally related events unfolding over time, contributes to transportation by enabling an easy flow of comprehension.

In essence, narrative transportation is a psychological state of deep engagement with a story, involving focus, emotion, imagination, and a temporary detachment from the real world, which can subsequently influence beliefs and attitudes.

(2) According to these documents, what factors contribute to or hinder an individual’s experience of Narrative Transportation?

According to the documents, several factors contribute to or hinder an individual’s experience of Narrative Transportation. These factors can be broadly categorized into story characteristics, recipient traits and individual differences, situational factors, and medium characteristics.

  1. Story/Narrative Characteristics: These are features inherent to the narrative itself that can influence how easily a person becomes transported.
  • Narrativity and Literariness: Stories with high narrativity, meaning they include protagonists with goals, ensuing conflicts, and follow canonical affective trajectories, tend to elicit stronger narrative transportation. Well-crafted, high-quality narratives are generally more transporting. Literariness can also contribute to transportation.
  • Coherence: A story that provides clear and sensible links between story events, character actions, and other elements is more transporting.
  • Character Development:Well-developed characters contribute to higher transportation. Identifiable characters, where the story receiver can clearly pinpoint the personas, facilitate transportation by allowing for vicarious experience of beliefs and emotions.
  • Emotional Intensity and Range: Stories with a greater emotional range or intensity can be more transporting.
  • Suspense and Dramatic Tension: The presence of suspense or dramatic tension can increase transportation.
  • Psychological Realism (Believability):Even in fantasy settings, the plot and characters should be plausible and act like real people to enhance transportation. Narratives that lack verisimilitude (realism or the appearance of being true) tend to be less transporting. However, this realism refers more to psychological realism than literal similarity to the real world.
  • Clarity and Ease of Comprehension: Narratives that are easy to read and understand facilitate transportation. Conversely, written narratives that are difficult to read, understand, or imagine tend to be less transporting.
  • Vividness and Detail: Rich detail may make stories more transporting. Stories containing rich, concrete imagery can increase levels of transportation.
  • Novelty: Foregrounding in a narrative can increase perceived novelty, potentially contributing to transportation.
  • Story Line Appeal and Quality of Production: These are suggested as important text factors influencing transportation.
  • Unobtrusiveness of Persuasive Subtext: When persuasive messages are presented subtly, transportation may be higher.
  • Similarity of Characters with the Self (Homophily): Characters who are similar to the reader can increase transportation. Personally relevant stories also tend to be more transporting.
  • Narrative Perspective: While third-person perspective stories can be transporting, there is some evidence that the first-person perspective might be particularly effective.
  • Coherence of Narrative Elements: A series of interrelated events that constitute a developed narrative, where the reader relies on the author, and the author relies on the reader’s ability to interpret, contributes to the experience.
  • Causal Information: Information that is part of the causal chain of the story may lead to greater engagement.
  1. Recipient Traits and Individual Differences: These are characteristics of the individual reading or experiencing the narrative.
  • Transportability: This is a generalized tendency toward being transported by a narrative. Individuals high in transportability are more likely to become transported. This trait involves subdimensions like suspense/curiosity propensity, emotional engageability, and ease of accepting fictional worlds.
  • Need for Affect: Individuals with a higher need for affect (a tendency to avoid emotion-inducing situations) are more likely to be transported into narratives.
  • Imaginative Engagement: A higher capacity for imaginative engagement is linked to increased transportation.
  • Narrative Comprehension Ability: How well a person understands the story, characters, and conflicts can affect transportability.
  • Tendencies Toward Mental Imagery Production: Individuals who are better able to imagine the events and characters in a narrative are more likely to be transported. However, individuals with a low ability to generate vivid mental imagery might be more transported by visual media like films than by texts.
  • Tendency Toward Emotional Responding: Individuals with a greater tendency toward emotional responding may have higher transportability.
  • Prior Knowledge: Familiarity with a story topic can increase transportation. Prior knowledge that makes it easier to understand and connect with characters can also make transportation more likely. However, if personal experience contradicts the story, transportation can be disrupted as individuals may adopt a critical mode of processing.
  • Attention: Paying attention to a story is a prerequisite for transportation.
  • Self-Concept Accessibility: The level of accessibility of an individual’s self-concepts upon entering a narrative world can influence experience-taking, which is related to transportation. High self-concept accessibility did not appear to increase distraction or reduce absorption but was associated with lower levels of experience-taking.
  • Literary Expertise: Readers with literary expertise may process texts differently due to their memory representations, including genre expectations.
  • Demographic Factors: Some research suggests that younger individuals and females may experience more narrative transportation. Education level has also been linked to transportation.
  1. Situational Factors: These are elements of the environment or context in which the narrative is experienced.
  • Pre-Narrative Instructions: Instructions given to readers or viewers before engaging with the narrative can affect transportation. For example, instructions to relax and enjoy the narrative can increase transportation, while instructions to focus on surface aspects like grammar can decrease it.
  • Prior Expectations (e.g., Reviews): Positive expectations created by prior positive reviews of a story can encourage greater transportation. Conversely, negative reviews might hinder it.
  • Distraction and Cognitive Load: Anything that distracts the individual or increases cognitive load can interfere with transportation.
  • Co-viewing: The presence and reactions of other people while experiencing a narrative (e.g., watching a movie) can influence transportation and its effects.
  1. Medium Characteristics: The format in which the narrative is presented can also play a role.
  • Type of Medium: Different media (e.g., written, audio, video, virtual reality) can influence the extent of narrative transportation. For example, virtual reality stories may evoke stronger physiological responses.
  • Features of the Medium: Elements such as music in video narratives can affect transportation. The sensory capabilities of a medium (e.g., VR haptic interfaces) can influence how stories can be told and experienced.
  • Visual Narrativity: For visual narratives, the presence of setting, a focal actor, and elements for viewer resonance contribute to visual narrative transportation.

It’s important to note that these factors can interact with each other, and the experience of narrative transportation is often a dynamic process that can fluctuate over time.

(3) How does Narrative Transportation, as explained in these texts, affect an audience’s beliefs, attitudes, and emotions in relation to a story?

Narrative Transportation, as explained in these texts, significantly affects an audience’s beliefs, attitudes, and emotions in relation to a story by immersing them in the narrative world, leading to various psychological and persuasive outcomes. This immersion, characterized by focused attention, emotional engagement, and vivid mental imagery, has several key effects:

  1. Belief Change:
  • Reduced Counterarguing: When individuals are transported into a narrative, they are often less likely to critically evaluate the information presented and may have a reduced tendency to counterargue claims made in the story. This can lead to the acceptance of story-consistent beliefs.
  • Perceived Realism: Higher levels of transportation can lead story receivers to perceive the story and its plot as more realistic and truthful, even if they know it is fictional. This perception of truthfulness can then prompt them to adopt story-consistent beliefs.
  • Influence of Characters’ Beliefs: Strong feelings and connections formed with story characters during transportation can enhance the influence of those characters’ experiences and beliefs on the audience’s own beliefs.
  • Memory Reinforcement: The mental imagery formed during transportation can be recalled later, potentially re-evoking the original communication and reinforcing story-relevant beliefs over time.
  • Generalization of Lessons: Audiences tend to generalize lessons learned from transported narratives and apply them to real-life situations, even if the stories focus on specific individuals and events.
  • Causal Information Acceptance: Information presented at causal locations within a narrative tends to be perceived as more truthful regarding the real world, and this effect can persist over time.
  1. Attitude Change:
  • Favorable Evaluations: Transportation can lead to more positive feelings and evaluations of sympathetic characters within the narrative.
  • Story-Consistent Attitudes: The engrossing experience of narrative transportation can result in more positive attitudes towards the story itself and story-consistent attitudes toward the experiences described within it.
  • Mediation by Affect and Cognition: Narrative transportation can cause both affective (emotional) and cognitive responses, which in turn mediate changes in attitudes. Higher transportation is associated with increased story-consistent affective responses and narrative thoughts, and decreased critical thoughts.
  • Persuasion: Narrative transportation is a key mechanism of narrative persuasion, influencing changes in consumers’ attitudes and intentions. Individuals more transported into narratives often show more positive attitudes towards related topics, such as products or social policies.
  • Reduced Resistance: Stories, particularly when transporting, can be less threatening than direct persuasive messages, helping to overcome resistance to attitude change.
  1. Emotional Impact:
  • Emotional Engagement: Transportation inherently involves emotional engagement with the narrative. Transporting narratives are effective partly because they evoke emotions.
  • Vicarious Experience: Through transportation, audience members can vicariously experience the emotions of the characters, leading to emotional responses aligned with the narrative events.
  • Emotional Flow: The pattern of emotional experiences throughout a story, including shifts in emotional tone and the creation and resolution of suspense, can help maintain audience interest and increase transportation.
  • Intensity of Response: Greater levels of narrative transportation can cause story receivers to perceive the story as more realistic, leading to more intense and story-consistent emotional responses.
  • Connection to Characters: Emotional connections formed with characters during transportation contribute to the overall emotional impact of the story.

In summary, Narrative Transportation acts as a powerful process that allows audiences to become deeply involved in a story world. This immersion reduces critical processing, enhances emotional engagement, and fosters connections with characters and the narrative, ultimately leading to shifts in their beliefs, attitudes, and emotional states that are often consistent with the story’s content and implications. This effect is distinct from more analytical forms of persuasion.

(4) Based on the uploaded documents, what are the key principles of Narrative Transportation that can be applied to crafting impactful personal stories?

Based on the uploaded documents and our conversation history, several key principles of Narrative Transportation can be applied to crafting impactful personal stories:

  • Narrative Quality and Coherence: A well-crafted personal story should have a clear and logical flow of events. The connections between different parts of the story, including cause-and-effect relationships, should be sensible and easy to follow. Ensuring that the actions and motivations of the storyteller (and any other characters involved) are consistent will enhance the coherence.
  • High Narrativity: Personal stories should possess strong narrativity, which encompasses both the content (the sequence of events and the individuals involved) and the discourse (how the story is told using literary devices). A compelling personal story will have identifiable elements of a story, such as a beginning, rising action, climax, falling action, and resolution (even if implicit).
  • Vivid Imagery: To facilitate transportation, a personal story should incorporate rich and descriptive language that allows the audience to form vivid mental images of the events, settings, and people involved. Engaging sensory details (what was seen, heard, felt, etc.) can significantly enhance this aspect.
  • Emotional Engagement: Impactful personal stories evoke emotions in the audience. Sharing your own genuine emotions and describing events in a way that resonates emotionally with listeners or readers is crucial. The emotional arc of your story, including moments of tension, joy, sadness, or reflection, can contribute to greater transportation.
  • Focused Attention: A well-crafted personal story will capture and maintain the audience’s attention. This can be achieved through compelling plot points, intriguing details, and a pace that keeps the audience engaged without overwhelming them.
  • Identifiable Characters (Especially Yourself): Even in a personal story where you are the central figure, making yourself relatable and allowing the audience to understand your experiences and emotions will foster empathy and connection. Sharing your inner thoughts, motivations, and vulnerabilities can help the audience identify with you.
  • Psychological Realism: While personal stories are factual, presenting them in a way that feels psychologically plausible – where the emotions and reactions feel genuine and understandable – can enhance transportation. Even when recounting unusual events, grounding the narrative in relatable human experiences is important.
  • Personal Relevance and Similarity: When crafting a personal story, consider how it might resonate with your intended audience. Highlighting themes, experiences, or emotions that the audience can relate to or find relevant to their own lives can increase their level of transportation. Similarities between the storyteller and the audience can also lead to higher levels of transportation.
  • Perspective: While not explicitly stated as a necessity, using the first-person perspective (“I”) in a personal story can naturally enhance the feeling of direct experience and foster a closer connection between the storyteller and the audience, potentially increasing transportation.

By thoughtfully applying these principles, individuals can craft personal stories that are not just accounts of events, but immersive experiences that can affect an audience’s beliefs, attitudes, and emotions, making the stories more impactful and memorable.

(5) What narrative elements or techniques, identified in these documents, are most effective in fostering Narrative Transportation in personal storytelling?

Based on the uploaded documents and our conversation history, several narrative elements and techniques are identified as being most effective in fostering Narrative Transportation in personal storytelling:

  • Coherence and Narrative Quality: A personal story that flows logically, with clear connections between events, character actions, and other elements, is more likely to be transporting. When the cause-and-effect links are sensible, the audience can more easily become immersed.
  • Strong Narrativity: This involves both the what (narrative content – the sequence of events and characters) and the how (narrative discourse – the literary devices used to tell the story). A well-defined sequence of events with relatable characters provides a foundation for transportation.
  • Vivid Mental Imagery: Using rich and descriptive language that appeals to the senses helps the audience create mental images of the story world and events, a key component of transportation. Concrete details and sensory information make the story more engaging and immersive.
  • Emotional Engagement:Stories that evoke genuine emotions in the audience are more transporting. Sharing your own emotions authentically and describing experiences in an emotionally resonant way allows the audience to connect with the story on a deeper level. The emotional arc of the story, including moments of suspense, joy, or reflection, also plays a crucial role.
  • Focused Attention: While the storyteller primarily influences this through the above elements, crafting a story that captures and holds the audience’s attention is vital for transportation. Avoiding unnecessary digressions and maintaining a compelling pace can aid in this.
  • Identifiable Characters (Especially the Teller): Making yourself and any other individuals in your personal story relatable and understandable fosters empathy and identification, which are closely linked to transportation. Sharing thoughts, feelings, and motivations can help the audience connect with your experience.
  • Psychological Realism: Even when recounting extraordinary personal events, grounding the story in believable human psychology – ensuring that actions and reactions feel plausible – enhances transportation. The audience should be able to understand the characters’ (including your own) motivations and emotional states.
  • Personal Relevance and Similarity: When the audience perceives the personal story as relevant to their own lives or identifies similarities between themselves and the storyteller or the situation, transportation is more likely. Highlighting universal themes or relatable experiences can bridge this gap.
  • Perspective (First-Person):While not explicitly stated as a definitive rule in the sources, using the first-person perspective (“I”) in personal storytelling naturally creates a sense of immediacy and direct experience, potentially drawing the audience more directly into your narrative and fostering transportation.

In essence, crafting impactful personal stories that foster Narrative Transportation involves telling a well-structured and coherent story with vivid details that evoke emotions, allowing the audience to connect with the storyteller and experience the narrative in a way that feels real and relevant to them.

(6) Are there any limitations or potential drawbacks of relying on Narrative Transportation to create impactful personal stories, according to these sources?

Based on the uploaded documents and our conversation history, there are several limitations or potential drawbacks of relying on Narrative Transportation to create impactful personal stories:

  • Distraction by Irrelevant Details: While vivid details are crucial for transportation, an overabundance of them, or details that are irrelevant to the main point of the personal story, can be a significant drawback. These details might obscure the relevant elements of the story and detract from the intended impact. Listeners or readers could become focused on less important aspects, potentially missing the core message or the intended emotional or attitudinal shift.
  • Potential for Misinterpretation and Misapplication: If the audience becomes highly transported but fixates on tangential similarities between the story and their own lives, they might draw incorrect or unintended conclusions. This “distraction by details” could lead to decisions or perspectives that are not aligned with the storyteller’s intention.
  • Risk of Perceived Manipulation: If a personal story is perceived as being overly crafted or manipulative in its attempt to induce transportation, it could backfire. Audiences might become aware of the persuasive intent, which can lead to increased skepticism and reduced effectiveness of the story. The sincerity and authenticity often expected in personal stories are crucial to avoid this perception.
  • Ethical Considerations: Depending on the content of the personal story, high levels of transportation could raise ethical concerns. For instance, if the story inadvertently normalizes or glorifies harmful behaviors, a transported audience might be more susceptible to these negative implications. Accuracy, potential for manipulation, and the portrayal of oneself and others with respect are important ethical considerations.
  • Focus on the Story Over the Message: The very elements that make a personal story highly transporting – engaging plot, vivid characters, and emotional resonance – might overshadow the specific belief, attitude, or behavior the storyteller intends to influence. The audience might remember the story and their emotional experience but not necessarily internalize the intended lesson or perspective.
  • Individual Differences in Transportability: Not everyone is equally susceptible to narrative transportation. Factors like “transportability” (a person’s general tendency to become absorbed in narratives), prior experiences, and the situational context can influence how deeply someone is transported. Therefore, a personal story that is highly transporting for one person might have less impact on another.
  • The Role of Critical Thinking: While transportation often reduces counterarguing, if the personal story contains inconsistencies or elements that strongly contradict the audience’s existing knowledge or beliefs, high transportation might not entirely suppress critical thinking. Instead, these inconsistencies might disrupt transportation and reduce the story’s impact.

In summary, while Narrative Transportation is a powerful tool for crafting impactful personal stories, storytellers need to be mindful of the potential for distraction through details, the risk of appearing manipulative, ethical implications, the possibility of the story overshadowing the message, and individual differences in audience responses. Carefully balancing the elements that foster transportation with a clear focus on the intended message and maintaining authenticity are key to mitigating these potential drawbacks.

(7) Can you identify any examples or case studies of successful personal storytelling within these documents that illustrate the principles of Narrative Transportation?

Based on the uploaded documents, there aren’t explicit, detailed examples or case studies of successful personal storytelling that are thoroughly analyzed to illustrate the specific principles of Narrative Transportation we have discussed. While the sources touch upon the power of narratives and their persuasive effects, the emphasis is often on broader categories of stories, such as public narratives, fictional narratives used in research, or the use of autobiographical storytelling in therapeutic contexts without specific examples dissected for their Narrative Transportation elements.

However, we can infer some potential examples and connect them to the principles based on the information provided:

  • The “Shopping Trolley Soldier (John Mulligan)” mentioned in: This is referred to as a dramatic example of someone benefiting from writing therapy. While the specifics of Mulligan’s story and its telling are not detailed, its effectiveness in resolving emotional issues suggests that it likely employed several principles of Narrative Transportation. For example, to have a “dramatic” impact, the story likely had a degree of narrative quality and coherence, presented events in a way that evoked emotional engagement, and perhaps allowed for some level of identification or psychological realism for the reader to connect with Mulligan’s experiences. However, without more details, this remains an inferred example.
  • The use of autobiographical stories in therapy described in: The text outlines how clients can be asked to choose significant autobiographical stories and clarify them through writing and discussion. The potential for these stories to be “helpful” and for clients to gain insights about their lives by reflecting on their own narratives suggests that when these stories are shared (even if primarily with a therapist), they can be impactful. For Narrative Transportation to occur in this context, the client’s ability to articulate their experiences with coherence, including vivid details of memories, and to convey the emotional significance of these events would likely be crucial. The therapist’s questions to help clarify the story could also enhance these elements. Again, no specific story is provided as a case study.
  • Stories used in health communication research: While not strictly “personal” storytelling in the sense of an individual sharing their own life story, the reference to using storytelling strategies in health messages and the example of a video story about cervical cancer screening having positive effects implies that well-crafted narratives, even if based on others’ experiences or fictionalized for a purpose, can be impactful. These stories likely leverage principles like narrative quality, emotional engagement (perhaps through relatable characters), and the potential for identification to achieve their persuasive goals.

In summary, while the documents highlight the importance and effects of narratives, they do not offer specific, detailed examples of successful personal storytelling that are then explicitly analyzed to showcase how principles of Narrative Transportation were employed. We can infer that instances of impactful storytelling, whether in therapy or health communication, likely benefited from these principles, but the sources do not provide the detailed case studies requested.

(8) How do the different terms provided (Narrative Transportation Theory, Narrative Theory, Transportation Theory, and Narratology) relate to or differ from each other within the context of these documents?

Based on the provided documents and our conversation history, here’s how the different terms relate to or differ from each other:

  • Narrative Theory is the broadest term, encompassing a wide range of approaches to texts that are considered to be, partially or wholly, narrative. It is described as a set of approaches to understand, analyze, and evaluate narratives across various forms, including texts, images, spectacles, and events. Narrative theory draws upon various disciplines like linguistics, semiotics, psychology, and cultural studies to study the forms, functions, and effects of narrative.
  • Narratology is a specific branch or discipline within Narrative Theory. It is often referred to as the theory or science of narrative. Narratology aims to develop systematic frameworks and tools for analyzing narrative structures, elements (like story and discourse), and categories. The sources indicate that narratology has its roots in structuralism and has evolved into various schools of thought and approaches, including classical and postclassical narratologies. Mieke Bal defines narratology as “the ensemble of theories of narratives, narrative texts, images, spectacles, events; cultural artifacts that ‘tell a story'”.
  • Transportation Theory (also referred to as Narrative Transportation Theory) is a psychological theory that focuses specifically on the experience of being immersed or “transported” into a narrative world. This theory examines the cognitive and emotional processes involved when individuals become highly engaged with a story, experiencing a sense of “going into” the narrative world. Key aspects of transportation include focused attention, imagery, and emotional engagement.
  • The relationship between Narrative Theory and Narratology is that narratology is a core component of narrative theory. While narrative theory is the overarching field of study, narratology provides many of the analytical tools, concepts, and frameworks used within this field to understand how narratives function.
  • Narrative Transportation Theory is a specific theory within the broader field of Narrative Theory, but it comes primarily from psychology and communication studies rather than literary studies, which have historically been central to narratology. While narratology might analyze the structural features of a story, Narrative Transportation Theory focuses on the psychological impact of engaging with that story, particularly its ability to transport the audience and potentially lead to persuasion.
  • Transportation Theory and Narrative Transportation Theory appear to be used interchangeably in the provided sources. Both terms refer to the same psychological construct of being immersed in a narrative.

In simpler terms:

  • Think of Narrative Theory as the entire field of studying stories.
  • Narratology is a key set of theories and methods within narrative theory, focusing on the structure and workings of narratives.
  • Narrative Transportation Theory (or Transportation Theory) is a specific psychological theory within narrative theory that explains how people become immersed in stories and the effects of this immersion, such as persuasion.

Therefore, while all these terms relate to the study of narrative, they operate at different levels of generality and come from different disciplinary perspectives. Narratology offers tools for analyzing narratives, while Narrative Transportation Theory explains a particular psychological experience of engaging with narratives.

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Understanding Narrative Transportation Using Manus AI

In my last post I talked about Embracing Narrative Transportation as a way to enhance the impact of your personal stories. And while I enjoy writing articles about storytelling, I’ve also been exploring AI (Artificial Intelligence) as a way to broaden my research capabilities.

I have to say, it’s amazing to watch these Chatbots in action. They are fast, and comprehensive in their reach, but they don’t replace humans as they still don’t have human experiences that we have, but they are able to locate and analyze information faster than any human.

So I decided to see what some of the latest chatbots had to say about the topic of Narrative Transportation with regards to crafting impactful personal stories. In part one, I asked Manus AI what it thought. Below is the prompt that I used, its initial response, and the output it generated. Warning, it’s a long article, but should you have an interest in AI, it’s an interesting read

Prompt:

I’m trying to understand the topic of Narrative Transportation in depth, as it relates to storytelling in general, but more specifically, how we can use Narrative Transportation to create impactful personal narratives.

Response:

I’ll help you understand Narrative Transportation in depth, both in general storytelling and specifically for creating impactful personal narratives. I’ll research this topic thoroughly and provide you with comprehensive information. Let me get started right away./em>

Output:

Here’s what Manus AI had to say:

Understanding Narrative Transportation: Creating Impactful Personal Narratives

Introduction

Narrative transportation is a powerful psychological phenomenon that occurs when individuals become completely immersed in a story. This comprehensive guide explores the concept of narrative transportation, its application in storytelling, and specifically how it can be leveraged to create impactful personal narratives. By understanding the mechanisms of narrative transportation and implementing specific techniques, you can craft personal narratives that deeply engage audiences, foster connections, and potentially transform beliefs and attitudes.

Part I: Understanding Narrative Transportation

The Concept of Narrative Transportation

Narrative transportation refers to the psychological experience of being completely immersed in a story. When a person is transported into a narrative, they become absorbed cognitively, emotionally, and in the imagery of the story, regardless of the medium (print, film, podcasts, video games, etc.).
The concept was first formally defined by Richard Gerrig in his 1993 book “Experiencing Narrative Worlds,” where he used travel as a metaphor for reading. He described it as a state in which the reader—referred to as the traveler—becomes detached from their original reality due to deep engagement with the story.
Melanie Green and Timothy Brock later expanded on this idea, describing narrative transportation as “a distinct mental process, an integrative melding of attention, imagery, and feelings.” They conceptualized it as the experience of being carried away by a narrative.

Key Features of Narrative Transportation

  1. Focused attention – Receivers become so focused on the story they do not think about distractions in their environment
  2. Emotional Engagement – There is a strong emotional response to the story with empathy for the characters
  3. Mental Imagery – Receivers have a mental image of the story in their heads or try to predict what might happen in the future of the story
  4. Cognitive Detachment from Reality – Receivers feel like they are really in the story and not in their real-world environment
  5. Belief and Attitude Shift – Narrative transportation can influence receivers’ beliefs, attitudes, and behaviors, aligning them with the story’s content
  6. Reduced Counterarguing – When transported, the receiver is less likely to challenge the story’s content
  7. Long-term Efficacy – The receiver is impacted even after the story ends, affecting long-term behavior and attitude change

Psychological Mechanisms of Narrative Transportation

Reduced Counterarguing

Transporting stories create a more open, accepting mindset for individuals. When readers are transported in an entertaining narrative, they may not want to interrupt their enjoyment to argue with the story. This reduced counterarguing can occur even when the persuasive intent is obvious.

Connections with Characters

Audience members may:

  • See themselves in story characters
  • Come to see characters as friends
  • Admire the characters

Through these connections, audiences may change their attitudes and beliefs to align with those of narrative characters. Identification with and liking of story characters has been shown to increase the adoption of beliefs advocated by the character.

Mental Imagery

The transportation-imagery model highlights the role of visual imagery in transportation-based belief change. The experience of being transported into a story links vivid images with beliefs implied by the story. This connection between images and beliefs may be one basis for the power of narrative persuasion.

Emotional Engagement

Stories are particularly powerful when they evoke strong emotions. The pattern of emotional experience that occurs as readers progress through a story (emotional flow) can help maintain interest, particularly for longer narratives.

Reminding Readers of Personal Experiences

Stories can prompt self-examination and change by reminding readers of experiences in their own lives that relate to those in the narrative. Individuals who are more immersed in a story show greater generalization of the beliefs implied by the story, but additionally, whether the story brings to mind events from the readers’ real lives seems to be important in determining narrative impact.

Factors Affecting Narrative Transportation

Audience Factors:

  • World view (e.g., pro-environmental)
  • Prior knowledge and experience
  • Attitudes and beliefs
  • Empathy
  • Political ideology
  • Religiosity
  • Transportability (individual tendency to become immersed)
  • Need for affect (enjoyment of emotional experiences)
  • Need for cognition (enjoyment of thinking)

Story Factors:

  • Fiction vs nonfiction
  • First-person vs third-person
  • Well-developed characters
  • Intent of character
  • Personally relevant stories
  • Stories that stay engaging
  • Coherence and structure
  • Emotional intensity
  • Suspense and dramatic tension
  • Psychological realism
  • Cultural appropriateness

Part II: Narrative Transportation in Personal Narratives

Unique Aspects of Personal Narratives

Personal narratives differ from fictional narratives in several key ways when it comes to narrative transportation:

Authenticity and Vulnerability

  1. Authenticity as a Bridge: In personal narratives, authenticity serves as a bridge between the storyteller’s world and the audience’s. When authors share their genuine experiences, emotions, and vulnerabilities, they create a unique connection that can be more immediate than in fictional narratives.
  2. Vulnerability Creates Intimacy: Personal narratives that expose vulnerability create a level of intimacy that fictional narratives may struggle to achieve. Research by Hagmann et al. (2024) found that “self-revealing personal narratives create vulnerability by exposing the speaker to others’ negative judgment.” This vulnerability signals authenticity and honesty to listeners, increasing trust and connection.
  3. Real-life Consequences: Unlike fictional narratives, personal narratives carry real-life consequences for the storyteller, which can heighten the audience’s emotional investment. The willingness to incur potential interpersonal costs through self-disclosure signals that the speaker values honesty.

Identification and Social Identity

  1. Shared Experience Identification: In personal narratives, identification often occurs through shared experiences rather than character traits. Research on patient identification in cancer narratives found that shared experiences can create powerful connections regardless of demographic differences.
  2. Social Identity Influence: Personal narratives can activate social identities that influence transportation. According to social identity theory, perceived risk to a patient’s identity increases identification with salient social groups who possess a similar identity.
  3. Transportability Across Divides: Personal narratives have shown the ability to build trust across ideological divides. Research has found that people judge ideological opponents as more trustworthy when opposing opinions are expressed through a self-revealing personal narrative than through either data or stories about third parties.

Mechanisms of Narrative Transportation in Personal Narratives

Personalization and Intimacy

  1. Personalization Effect: Research suggests that personal narratives create a sense of “personalness” that drives effectiveness. Personalness is defined as “the level of intimacy delivered when narrating an experience, or the capability of eliciting a sense of intimacy with the ‘other.'”
  2. <Mental Representation: This sense of intimacy motivates engagement with the content and enables the mental representation of the narrative (narrative transportation), consequently increasing the likelihood of accepting the recommendation or message.

Self-Related Control Beliefs

  1. Empowerment Through Transportation: Research has found that “narratives in both written text and video form with protagonists displaying high versus low self-efficacy can, at least temporarily, affect recipients’ own self-related control beliefs when they experience strong transportation into the stories.”
  2. Mediation Through Transportation and Identification: The effect of narrative manipulation on self-related control beliefs was mediated by experienced transportation and identification, suggesting that personal narratives that facilitate transportation can influence how readers view their own capabilities.

Reduced Counterarguing in Personal Contexts

  1. Disarming Effect: Personal narratives may reduce counterarguing more effectively than fictional narratives because questioning someone’s lived experience can seem inappropriate or insensitive.
  2. Trust Building: Research has found that “trust does not suffer when explanations grounded in self-revealing personal narratives are augmented with data, suggesting that our results are not driven by quantitative aversion.”

Impact of Personal Narratives

Building Trust and Changing Beliefs

  1. Trust Across Differences: Personal narratives have shown the ability to build trust across ideological divides. People are more willing to collaborate with ideological opponents who support their views by embedding data in a self-revealing personal narrative, rather than relying on data-only explanations.
  2. Changing Health Behaviors: Research has found that “identification with the main character in the vignettes was a significant predictor of intentions to participate in cancer research, but only when the mediating role of narrative transportation was considered.”
  3. Self-Concept Changes: Personal narratives can influence how readers view themselves. Research has demonstrated that stories featuring strong protagonists who display high self-efficacy can increase recipients’ own self-related control beliefs when they are highly transported into the stories.

Profound Connections with Audiences

  1. Solace and Belonging: Stories that expose the raw, unfiltered emotions of their creators have the power to resonate with readers in a way that is impossible to replicate. In our own struggles and triumphs, we recognize a reflection of ourselves, and it’s in those moments that we find solace, encouragement, and a sense of belonging.
  2. Shared Human Experience: Personal narratives remind us that we are not alone in our experiences. They create a sense of shared humanity that can be particularly powerful for individuals facing challenges or difficult situations.

Part III: Techniques for Creating Impactful Personal Narratives

Structural Techniques

1. Clear Narrative Structure

A well-structured personal narrative guides readers through your emotional journey with ease. The basic structure includes:

  • Beginning: Establish your core idea and hook your readers
  • Middle: Develop your central idea using descriptive language to define your story, setting, characters, and plot
  • End: Summarize lessons learned, relate your core theme back to readers’ lives, and include a call to action

The ABCDE storytelling framework (from Anne Lamott’s book “Bird by Bird”) provides an excellent structure:

  • Action: Drop the reader right into the action. No need to “set the scene.”
  • Background: Once you have the reader’s attention, tell them why it matters.
  • Development: Build the story up. Where is the story going? What’s at risk?
  • Climax: This is the tipping point. The “aha!” The “oh no!” The “SURPRISE!”
  • Ending: Explain what it was all for. What was the lesson?

2. Start with a Strong Hook

Begin your personal narrative with something that immediately captures attention. This could be:
  • A surprising statement
  • A vivid scene
  • A provocative question
  • A moment of tension
The hook should relate to the core message of your narrative and give readers a reason to keep reading.

3. Focus on Transformation

Personal narratives are most impactful when they demonstrate transformation. Structure your narrative around:
  • Who you were before
  • The challenge or catalyst for change
  • The process of transformation
  • Who you became as a result
  • What this means for the reader

Emotional Connection Techniques

1. Vulnerability and Authenticity

The most powerful element in a personal narrative is the emotional connection you establish with readers. To create this:

  • Be honest and open about how experiences have impacted you
  • Include all relevant details, even embarrassing or painful ones
  • Share your feelings as well as your pain
  • Never be afraid to show vulnerability—this gives readers permission to accept their own
  • Write from a foundation of authenticity rather than trying to persuade or sell ideas

2. Descriptive Language and Sensory Details

Use descriptive language to paint a vivid picture in your reader’s mind:

  • Help readers visually experience colors and shapes
  • Create sensations of temperature, texture, and physical feelings
  • Incorporate scents, tastes, and sounds
  • Use all five senses to connect with readers’ emotions
  • Don’t limit your narrative to a sequence of causes and effects

3. Emotional Flow

The pattern of emotional experience throughout your narrative helps maintain interest:

  • Create and then resolve suspense about outcomes
  • Include changes in emotional tone across the course of the story
  • Balance difficult emotions with moments of insight or relief
  • Build emotional intensity toward key realizations
  • End with emotional resolution that feels satisfying

Connection with Readers

1. Make the Reader the Main Character

Your story isn’t really about you—the reader is the main character. To achieve this:

  • Have clarity around why your personal story is interesting to the READER
  • Connect your perspective with universal truths
  • Ask yourself: What’s the problem you want the reader to solve?
  • Consider: What’s the realization you want the reader to have?
  • Focus on: What’s the obstacle you want to help the reader overcome?

2. Identify the Takeaway

The takeaway explains why your story is important and creates a deeper emotional tie with the reader:

  • Connect your experience to something bigger
  • Identify the universal truth at play
  • Clarify what your experience says about you, life, or the world
  • Determine if your story is about frustration, injustice, loyalty, hope, etc.
  • Make the connection between your story and the message explicit

3. Relevance to Reader’s Life

Make your personal narrative relevant to readers’ lives:

  • Give readers a “heads up” so they can avoid pain you experienced
  • Provide relief if they’re currently going through a similar experience
  • Show how your lessons apply to their situations
  • Create points of similarity between your experience and theirs
  • Focus on shared human experiences that transcend specific circumstances

Finding Story-Worthy Material

1. Daily Reflection Practice

Use the “Homework for Life” framework (from Matthew Dicks’ book “Storyworthy”):

  • Take five minutes daily to reflect on your day
  • Ask: If you had to tell a story from today, what would it be?
  • Write one sentence about it
  • Look for difficult times, moments of growth, and proud or awkward experiences
  • Create two columns: date and story

2. Identify Emotional Significance

Pay attention to events that leave a strong impression:

  • What moments do you replay in your mind?
  • What makes you uncomfortable?
  • What reveals your vulnerability?
  • What forces you to confess a character flaw?
  • What challenges your core beliefs about yourself?

3. Choose Meaningful Experiences

Select experiences that have been transformational:

  • Events that caused you to rethink or reconsider your point of view
  • Circumstances that resulted in personal or professional growth
  • Painful situations that forced you to change your beliefs
  • Unique life experiences that taught you important lessons
  • Moments where you overcame adversity

Refinement Techniques

1. Editing and Revision

After completing your first draft:
  • Edit for grammar, spelling, and punctuation errors
  • Add any extra details you may have forgotten
  • Remove irrelevant information that doesn’t serve the core message
  • Ensure transitions between sections are smooth
  • Check that your narrative has a clear beginning, middle, and end

2. Seek Feedback

Get perspective from others:

  • Ask friends or family members to read your narrative
  • Be clear about what kind of feedback you’re looking for
  • Listen to their responses without taking criticism personally
  • Consider whether readers connect with your story as intended
  • Revise based on feedback to improve clarity and impact

3. Maintain an Enjoyable Process

While writing a personal narrative can be emotionally challenging:

  • Have fun with the process
  • Relax and tell your story naturally
  • Remember that the more relaxed you are, the more authentic your narrative will feel
  • View the process as potentially therapeutic and liberating
  • Recognize that sharing your story can benefit both you and your readers

Part IV: Practical Applications of Personal Narratives

Therapeutic and Personal Growth

Personal narratives can be used for:

  • Processing difficult experiences
  • Gaining clarity about life events
  • Discovering patterns in your behavior or thinking
  • Building self-awareness
  • Creating meaning from challenging circumstances

Professional and Leadership Contexts

Personal narratives are valuable in:

  • Building trust with teams or clients
  • Demonstrating values in action
  • Illustrating problem-solving approaches
  • Creating connection in professional relationships
  • Establishing credibility through lived experience

Educational and Inspirational Purposes

Share personal narratives to:

  • Teach important life lessons
  • Inspire others facing similar challenges
  • Provide practical guidance based on experience
  • Create empathy for different perspectives
  • Motivate positive change in others

Part V: A Framework for Applying Narrative Transportation in Personal Narratives

Step 1: Understand Your Purpose

Before crafting your personal narrative, clarify:
  • What you want to achieve with your story
  • Who your audience is
  • What change you hope to inspire
  • What beliefs or attitudes you want to influence
  • What emotional response you want to evoke

Step 2: Select the Right Experience

Choose an experience that:
  • Has transformed you in some way
  • Contains universal themes or lessons
  • Evokes strong emotions
  • Demonstrates vulnerability and authenticity
  • Has clear stakes and consequences

Step 3: Structure for Maximum Impact

Organize your narrative to:
  • Begin with a compelling hook
  • Establish context and background
  • Build tension through challenges and obstacles
  • Reach a climactic moment of realization or change
  • Resolve with reflection and meaning-making

Step 4: Enhance Transportation Elements

Deliberately incorporate elements that facilitate transportation:

  • Rich sensory details to create mental imagery
  • Emotional authenticity to create connection
  • Vulnerability to build trust
  • Universal themes to create relevance
  • Transformation to inspire hope

Step 5: Connect to the Reader

Make your narrative relevant by:

  • Explicitly stating the takeaway or lesson
  • Connecting your experience to broader human experiences
  • Addressing how your story might help the reader
  • Creating points of similarity between your journey and theirs
  • Inviting the reader to reflect on their own experiences

Step 6: Refine and Test

Improve your narrative by:

  • Getting feedback from trusted readers
  • Assessing whether it creates the intended emotional response
  • Checking if the core message is clear
  • Ensuring the narrative flows smoothly
  • Confirming that it feels authentic and honest

Conclusion

Narrative transportation offers a powerful framework for understanding how stories captivate us and influence our beliefs, attitudes, and behaviors. By applying the principles of narrative transportation to personal narratives, you can create stories that not only engage readers but potentially transform them.

Personal narratives have unique strengths in creating transportation through authenticity, vulnerability, and shared human experience. When crafted with intention and skill, they can build trust, foster connection, and inspire change in ways that other forms of communication cannot.

The techniques outlined in this guide provide practical approaches to enhancing narrative transportation in your personal stories. By focusing on structure, emotional connection, reader relevance, and meaningful content, you can create personal narratives that transport readers into your experiences and leave lasting impressions.

Whether you’re writing for personal growth, professional development, or to inspire others, understanding narrative transportation will help you craft more impactful personal narratives that resonate deeply with your audience.

References

  • Gerrig, R. J. (1993). Experiencing narrative worlds: On the psychological activities of reading.
  • Green, M. C., & Brock, T. C. (2000). The role of transportation in the persuasiveness of public narratives.
  • Hagmann, D., Ho, E. H., & Loewenstein, G. (2024). Personal narratives build trust.
  • Isberner, M. B., Richter, T., Schreiner, C., Eisenbach, Y., Sommer, C., & Appel, M. (2020). Empowering stories: Transportation into narratives with strong protagonists increases self-related control beliefs.
  • Lamott, A. (1994). Bird by Bird: Some Instructions on Writing and Life.
  • Neil, J. M., Gough, A., Kee, F., George, T. J., Pufahl, J., & Krieger, J. L. (2020). The influence of patient identification and narrative transportation on intentions to participate in cancer research.
  • Strange, J. J., & Leung, C. C. (1999). How anecdotal accounts in news and in fiction can influence judgments of a social problem’s urgency, causes, and cures.
  • Valenzuela, A., & Galli, L. (2024). The personalization effect: How personal narratives drive electronic word-of-mouth effectiveness.
  • Van Laer, T., De Ruyter, K., Visconti, L. M., & Wetzels, M. (2014). The extended transportation-imagery model: A meta-analysis of the antecedents and consequences of consumers’ narrative transportation.

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Santa Fe Institute.- Nature of Intelligence – Complexity Wrap Up

Hopefully you have been along for the ride and have listened to all six episodes. It’s been a lot to digest, a lot to think about. While the field of neuroscience has made great strides, when it comes to the subject of human intelligence there’s still so much to learn. Which is why I’ve appreciated this podcast.

And now we have AI entering the picture. Will it augment our IQ, or surpass us, to our detriment? It’s a mystery. So much upside, yet there’s a dark side to how AI can be used by bad actors operating behind the scenes. If you missed a post:

As a key to this series is an exploration of AI, I asked Google’s NotebookLM to provide some insights as to the key points that were explored over the series. Does this synopsis align with your impressions? Here’s the cast of characters:

  • Melanie Mitchell (host) – Professor at the Santa Fe Institute working on artificial intelligence and cognitive science. In the final episode, she is interviewed about her background, views on AI, AGI, and the future of the field.
  • Abha Eli Phoboo (host) – Abha is a writer and an obsessive rewriter. Interested in the arts and sciences, she explores the weak interaction between the two. A CERN Press Officer, she translates physics into English and helps scientists communicate their research to the world.
  • Alison Gopnik – Professor of psychology and philosophy, member of the Berkeley AI Research group, external professor with the Santa Fe Institute, who studies how children learn.
  • John Krakauer – Professor of neurology, neuroscience, physical medicine, and rehabilitation at Johns Hopkins University School of Medicine, who researches intelligence and physical movement in animals, machines, and humans.
  • Ev Fedorenko – Featured in the second episode discussing the relationship between language and thought. Her work includes using fMRI brain scans to examine the relationship between language and other forms of cognition.
  • Steve Piantadosi – Featured in the second episode discussing the relationship between language and thought. He provides examples of how language can make learning more efficient.
  • Gary Lupyan – Featured in the second episode discussing the relationship between language and thought. He believes language is one of the major reasons for human intelligence, potentially more of a cause than a result.
  • Murray Shanahan – Professor of cognitive robotics at Imperial College London and principal research scientist at Google DeepMind.
  • Tomer Ullman – Psychologist at Harvard University studying computation, cognition, and development.
  • Linda Smith – Chancellor’s Professor of Psychological and Brain Sciences at Indiana University, a developmental psychologist and pioneer of head-mounted camera research with infants.
  • Mike Frank – Professor of psychology at Stanford, who studies how children learn and uses large datasets and new methodologies.
  • Erica Cartmill – Professor of cognitive science, animal behavior, anthropology, and psychology at Indiana University, who studies cognition and communication across a wide range of species, including great apes and human children.
  • Ellie Pavlick – Discusses how we assess intelligence, particularly in machines, and the challenges of applying human tests to AI. She also talks about the difficulty of understanding how LLMs work internally.

Santa Fe Institute Complexity Podcast

AI Summary via NotebookLM

This podcast series explores the complex question: What is intelligence?. It highlights that defining intelligence is difficult and that there is no single, simple definition; it’s more like a “suitcase word” packed with various capabilities. The series draws on insights from cognitive scientists, child development specialists, animal researchers, and AI experts.

Human intelligence involves many facets. It includes learning about cause and effect by experimenting and interacting with the world. Humans are good at generalizing knowledge and making analogies, applying what they learn in one situation to new ones without needing vast amounts of retraining. Common sense, which relies on innate understandings of the physical world and flexibility in thinking, is also crucial.

Language is seen as a backbone of human culture and a powerful tool for sharing information and ideas, enabling us to learn without direct experience and understand abstract concepts. There is debate, however, on whether language is a cause or a result of human intelligence, and whether language and thought are fundamentally separate or intertwined. Some evidence suggests they can be separate, at least in adults. Human intelligence also relies heavily on our social nature, drive to collaborate, and the unique role of caregiving in development.

Large Language Models (LLMs) like ChatGPT are a focus of the series. These systems are trained on enormous amounts of human-generated text data from the internet. They work by finding statistical correlations in language and predicting the most likely next word or “token”. While LLMs can produce sophisticated and sometimes creative language, there are significant differences compared to human intelligence.

LLMs learn passively from data, unlike humans who learn actively through interaction with the world. They lack an inherent drive to explore or understand the world. There is debate on whether LLMs truly “understand” language in a meaningful sense or simply know how to use words based on patterns. They also cannot engage with the world to update “beliefs” and sometimes make things up, a behavior called “hallucinating”.

Assessing the intelligence of LLMs is challenging. Applying tests designed for humans, like the SAT, might not mean the same thing for a machine. Some researchers suggest LLMs might be learning how to pass the test rather than exhibiting general reasoning ability. Understanding how LLMs actually work internally (“mechanistic understanding”) is seen as crucial but is still a nascent area of research. Some propose thinking of LLMs as sophisticated “role-players” rather than entities with beliefs or consciousness. LLMs might also be better understood as reflecting collective knowledge rather than a single agent’s intelligence.

The concept of Artificial General Intelligence (AGI), often described as human-level intelligence in machines, is discussed, but its definition remains vague and debated. The current path to building powerful AI is seen by some as unsustainable due to the immense data and energy requirements, suggesting that future AI might need to be more “embodied” and learn more like humans or animals.

Beyond theoretical fears, the series highlights real, present risks of AI, including the spread of deepfakes and disinformation, which can erode trust and make it harder to find reliable information online. The unauthorized use of human-generated data for training AI is also raised as an ethical concern.

Top Five Audience Takeaways

  1. Defining “Intelligence” is Surprisingly Difficult. Instead of being a simple, single thing we can measure, intelligence is like a “suitcase word” packed with many different abilities and ways of being. Researchers across various fields agree that there’s no easy, complete definition of what makes something intelligent, whether it’s a person, an animal, or a machine.
  2. Human Intelligence is Deeply Tied to Active Experience and Social Interaction. Humans don’t just passively absorb information; we learn by actively exploring the world, doing “little experiments,” and figuring out cause and effect. Our ability to generalize knowledge to new situations with limited examples is crucial. Furthermore, language, our drive to collaborate, and the unique role of caregiving are fundamental to how our intelligence develops and functions.
  3. Today’s Powerful AI, like ChatGPT (LLMs), Works Very Differently from Human Intelligence. These systems are trained on enormous amounts of text data from the internet, learning by finding statistical patterns and predicting the next word. Unlike humans, they learn passively, lack an inherent drive to explore the world, don’t have beliefs, and can sometimes “hallucinate” or make things up. While they can produce impressive language, there’s a significant debate about whether they truly “understand” in a human sense or are just very sophisticated at using patterns.
  4. Testing AI Intelligence Using Human Standards is Tricky. Applying tests designed for humans, like the SAT or theory-of-mind tasks, to LLMs might not accurately reflect their capabilities. LLMs might simply be learning how to pass the specific test through pattern matching from their vast training data, rather than exhibiting genuine reasoning or understanding. Understanding how these AI systems arrive at their answers – looking “under the hood” – is a crucial but difficult area of research. We also need to be mindful that our human-centric view can limit how we assess intelligence in other entities, including animals.
  5. Current AI Approaches Face Significant Challenges and Present Real Risks. The reliance on massive data and energy to build powerful AI systems may not be sustainable or efficient in the long run. Beyond theoretical fears about Artificial General Intelligence (AGI), there are immediate concerns like the spread of deepfakes and misinformation, which can erode trust and make finding reliable information difficult. There are also ethical questions about using vast amounts of human-generated data to train AI without permission or benefit to the creators. Some researchers suggest future AI development might need to take a different path, perhaps learning more like babies or animals, to be more sustainable and genuinely intelligent.

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Nature of Intelligence – Episode Six – AI’s changing seasons

In this final episode of the Complexity podcast, Melanie Mitchell provides us with a bit of her backstory — how she became interested in the topic of AI — and the path she’s been on in the 35 years since she got her PhD, years. She shares the little-known fact that AI wasn’t always the hot topic it’s been in our recent memory, having been through a few up and down cycles along the way.

The world of AI has gone through several cycles of huge optimism and people thinking that true AI is just around the corner, just a few years away. And then disappointment because the methods that AI is using at the time don’t actually turn out to be as promising as people thought. ~ Melanie Mitchell

When she mentions that, “cognitive scientists have been trying to understand what human level intelligence is for a century now” it’s a stark reminder that it doesn’t make sense to compare human intelligence to artificial intelligence if we’re not sure what’s going on in our own minds.

Intelligence, as we’ve seen throughout the podcast is not a well-defined sort of rigorously mathematically defined notion. It’s what Marvin Minsky, the AI pioneer, called a suitcase word. And by that he meant that it’s like a suitcase that’s packed full of a jumble of different things, some of which are related and some of which aren’t. ~ Melanie Mitchell

And there’s no single thing that intelligence is. It’s a whole bunch of different capabilities and ways of being that perhaps are not just one single thing that you could either have more of or less of, or get to the level of something. It’s just not that kind of simple thing. It’s much more of a complex notion. ~ Melanie Mitchell

The dark side to AI is also brought to light, with mention of deep fakes and voice cloning, alongside the perils of misinformation and disinformation. As to what is on the horizon, a big worry is that impersonating humans will become a thing. The bottom line, as AI gets more intelligent, there’s an upside, and a downside.

Hopefully this podcast series gave you some insight as to how the story of our common humanity, and your own story, may unfold.

Transcript

Abha Eli Phoboo: From the Santa Fe Institute, this is Complexity

Melanie Mitchell: I’m Melanie Mitchell

Abha: And I’m Abha Eli Phoboo

Abha: Melanie, it’s so wonderful to be able to sit down and ask you questions this time. Could we maybe get started with, you know, how you got into the business of AI, could you maybe tell us a little bit about that?

Melanie: Yeah, so I majored in math in college. And after college, I worked as a math teacher in a high school in New York City. But while I was there, I didn’t really know what I wanted to do. I knew I didn’t want to teach forever. So I was reading a lot. And I happened to read a book called Gödel, Escher, Bach by Douglas Hofstadter.

And it was a book about, well, Gödel, the mathematician, Escher, the artist, and Bach, the composer, obviously. But it was really much more. It was about how intelligence can emerge from non-intelligent substrate, either in biological systems or perhaps in machines. And it was about the nature of thinking and consciousness. And it just grabbed me like nothing else ever had in my whole life. And I was just so excited about these ideas.

So I decided I wanted to go into AI, which is what Hofstadter himself was working on. So I contacted him. He was at Indiana University and I never heard back. In the meantime, I moved to Boston for a job there and was hanging around on the MIT campus and saw a poster advertising a talk by Douglas Hofstadter. I was so excited.

So I went to the talk and I tried to talk to him afterwards, but there was a huge crowd of people around him. His book was extremely famous and had a big cult following. So then I tried to call him at his office. He was on sabbatical at MIT, it turned out, and left messages and never heard back. So finally I figured out he’s never at his office during the day, so he must be there at night.

So I tried to call him at 10 in the evening and he answered the phone and was in a very good mood and very friendly and invited me to come talk to him. So I did and I ended up being an intern in his group and then going to graduate school to work with him. So that was the story of how I got to my PhD program.

It was actually at University of Michigan where he was moving to, and worked with him for my PhD working on how people make analogies and how a machine might be able to make analogies in a similar way.

Abha: That’s so interesting. I mean, you were very tenacious, you kept not giving up.

Melanie: Yeah, exactly. That was the key.

Abha: So when you graduated, I’ve heard you mentioned before that you were discouraged from mentioning AI in your job search. Could you maybe tell a little bit about what the world of AI was like at that point?

Melanie: Yeah, so the world of AI has gone through several cycles of huge optimism and people thinking that true AI is just around the corner, just a few years away. And then disappointment because the methods that AI is using at the time don’t actually turn out to be as promising as people thought.

And so these are called sort of the AI springs and AI winters. And in 1990, when I got my PhD, AI was in the winter phase. I was advised not to use the term artificial intelligence on my job applications. I was advised to use something more like intelligent systems or machine learning or something like that, but the term AI itself was not looked well upon.

Abha: So what do you think now of the fact that the Nobel Prize just recently went to people working in AI? The one for physics went to John Hopfield and Geoffrey Hinton for their work in machine learning. And then Demis Hasabis for chemistry. What do you think of that?

Melanie: Well, obviously we’re in an AI spring or summer right now and the field is very hot and people are again predicting that we’re going to have, you know, general human and level machine intelligence any day now. I think it’s really interesting that the Nobel prizes this year were sort of, you know, the AI sweep.

There were a lot of people joking that ChatGPT would get the literature prize. But, I was a little surprised at the physics prize, not so much at the chemistry prize. You know, the chemistry prize was for Alpha Fold, which is a program from Google DeepMind, which is better than anything that ever came before in predicting protein structure. That was obviously a huge, huge success and incredible achievement.

So I think that was not surprising to me at all that the DeepMind people got that award. The physics award, you know, Hopfield is a physicist and the work that he did on what are now called Hopfield networks was very inspired by physics. Hinton I was a little more confused about just because I don’t didn’t really see the physics connection so much. I think it is just more the impact that machine learning is having on physics. And machine learning today is all about neural networks, and Hinton was obviously a big pioneer in that field. So I think that’s the thinking behind that. But I know a lot of physicists who have grumbled that that’s not physics.

Abha: Yes, it’s been very interesting to see that debate in the physics community. You and I, you know, we’ve talked to so many researchers over the course of the season, and I wanted to ask if there was something you were hoping to learn when we first started building this podcast together?

Melanie: Well, I think one reason I was excited to do this podcast was because I wanted to talk to people, not just in AI, but also in cognitive science. The voices of cognitive science and AI haven’t been given as much sort of airtime as people who are at big AI companies or big AI labs. I think that they’ve been missing a key element, which is, what is this thing we’re calling intelligence?

What is the goal of something like general AI or AGI? What’s the thing we’re trying to get to when we talk about human level intelligence and cognitive scientists have been trying to understand what human level intelligence is for a century now. The ideas that these people have about intelligence seem to be very different from those of people sort of leading the pack in the AGI world. So I think that’s an interesting contrast.

Abha: I agree. I think I learned a lot too. And John Krakauer, one of the first guests we had in the first episode of the season, you and he are currently going through a three-year discussion project to understand the nature of intelligence. And I’m curious about what you’ve learned. I know you had your first meeting. So what you learned in that first meeting and why do you think it is so important that you want to put this exercise together for a number of years, not just a couple of sessions that end in a month or two.

Melanie: Well, I think there are several aspects to this. So John Krakauer and I have been talking for years about intelligence and AI and learning, and we finally decided that we should really have a set of very focused workshops that include people from all these different fields, similar to this podcast, about the nature of intelligence. AI and machine learning, it’s a very fast moving field.

You hear about new progress every day. There’s many, many new papers that are published or submitted to preprint servers. And it’s just overwhelming. It’s very fast. But there’s not a lot of more slow thinking, more long-term, more in-depth thinking about what it is that we’re actually trying to do here. What is this thing called intelligence? And what are its implications, especially if we imbue machines with it?

So that’s what we decided we would do, kind of slow thinking rather than very fast research that is taking over the machine learning and AI fields. And that’s what in some sense, SFI or Santa Fe Institute is really all about is trying to foster this kind of very in-depth thinking about difficult topics. And that’s one of the reasons we wanted to have it here at the Santa Fe Institute.

Abha: It almost seems counterintuitive to think of AI now in slower terms because the world of AI is moving at such speed and people are trying to figure out what it is. But going back to our original question in this podcast, what do we know about intelligence right now?

Melanie: Well, intelligence, as we’ve seen throughout the podcast is not a well-defined sort of rigorously mathematically defined notion. It’s what Marvin Minsky, the AI pioneer, called a suitcase word. And by that he meant that it’s like a suitcase that’s packed full of a jumble of different things, some of which are related and some of which aren’t.

And there’s no single thing that intelligence is. It’s a whole bunch of different capabilities and ways of being that perhaps are not just one single thing that you could either have more of or less of, or get to the level of something. It’s just not that kind of simple thing. It’s much more of a complex notion. There’s a lot of different hallmarks that people think of. For me, it’s generalization, the ability to generalize, to not just understand something specific, but to be able to take what you know and apply it in new situations without having to be retrained with vast numbers of examples.

So just as an example, AlphaGo, the program that is so good at playing Go. If you wanted to teach it to play a different game, it would have to be completely retrained. It really wouldn’t be able to use its knowledge of Go, or its knowledge of sort of game playing, to apply to a new kind of game. But we humans take our knowledge and we apply it to new situations. And that’s generalization, that’s to me one of the hallmarks of intelligence.

Abha: Right. I’d like to go into your research now, and if you could tell us a little bit about the work you’ve done in conceptual abstraction, analogy making, and visual recognition and AI systems. The problems you’re working on right now, could you tell us a little bit about that?

Melanie: Sure. So I started my career working on analogy making. And when I got to Doug Hofstadter’s group, he was working on building a computer system that could make analogies in a very idealized domain, what he called letter string analogies. So I’ll give you one. If the string ABC changes to the string ABD, what did the string IJK change to?

Abha: IJL.

Melanie: Okay, very good. So you could have said, ABC changes to ABD, that means change the last letter to a D, and you would say IJD. Or you could have said, ABC changes to ABD, but there’s no Cs or Ds in IJK, so just leave it alone. But instead, you looked at a more abstract description. You said, okay, the last letter changed to its alphabetic successor.

That’s more abstract. That’s sort of ignoring the details of what the letters are and so on and applying that rule to a new situation, a new string. And so people are really good at this. You can make up thousands of these little letter string problems that do all kinds of transformations and people get the rules instantly.

But how do you get a machine to do that? How do you get a machine to perceive things more abstractly and apply what they perceive to some new situation? That’s sort of the key of analogy. And it turned out it’s quite difficult because machines don’t have the kind of abstraction abilities that we humans have. So that was back when I was first starting my PhD, that was back in the 1980s.

So that was a long time ago in AI years. But even now, we see that even the most advanced AI systems like ChatGPT still have trouble with these kinds of analogies, and there’s a new kind of idealized analogy benchmark that was recently developed called the Abstraction and Reasoning Corpus, which features more visual analogies, but similar to the ones that I just mentioned.

You have to try and figure out what the rule is and apply it to a new situation. And there’s no machine that’s able to do these anywhere near as well as people. The organizers of this benchmark have offered a prize, right now it’s at $600,000 for anybody who can write a program or build some kind of machine learning system that can get to the level of humans on these tasks. And that prize is still unclaimed.

Abha: I hope one of our listeners will work on it. It would be very cool to have that solved.

Melanie: We’ll put the information in the show notes.

Abha: So can you tell me know how do you go about testing these abilities?

Melanie: So the key for the letter string analogies and also for the abstraction and reasoning corpus problems that’s abbreviated to ARC is to show a few demonstrations of a concept. So like when I said ABC changes to ABD, the concept is, change the rightmost letter to its successor.

Okay, and so I showed you an example and now say, here’s a new situation. Do the same thing. Do something analogous. And the issue is, I haven’t shown you millions of examples, I’ve just shown you one example or sometimes with these problems you can give two or three examples. That’s not something that machine learning is built to do. Machine learning is built to pick up patterns after seeing hundreds to millions to billions of examples, not just one to three examples. So this is what’s called few-shot learning or few-shot generalization.

The few-shot being you just get a few examples. And this is really the key to a lot of human intelligence, is being able to look at a few examples, and then figure out what’s going on and apply that to new kinds of situations. And this is something that machines still haven’t been able to do in any general way.

Abha: So say, if a child sees a dog, right, of a certain kind, but then it sees a Dalmatian, which has different kinds of spots, they can still tell it’s a dog and not a cow, even though they’ve seen a cow with those kinds of patterns on their bodies before. So when you do that in machines, what do you actually find out? What have you found out in your testing of the ARC?

Melanie: We found out that machines are very bad at this kind of abstraction. We’ve tested both humans and machines on these problems. And humans tend to be quite good and are able to explain what the rule is they’ve learned and how they apply it to a new task. And machines are not good at figuring out what the rule is or how to apply a rule to a new task.

That’s what we found so far. Why machines can’t do this well? That’s a big question. And what do they need to do it well? That’s another big question that we’re trying to figure out. And there’s a lot of research on this. Obviously, people always love it when there’s a competition and a prize. So there’s a lot of people working on this. But I don’t think the problem has been solved in any general way yet.

Abha: I want to ask about this other workshop you’ve done quite frequently is the understanding workshop, which actually came out of the barriers of meaning. If you could tell a little bit about what the idea of understanding there was, I thought that was fascinating. Could you maybe recount a little bit?

Melanie: Yeah, so, many decades ago, the mathematician John Carlo Rota wrote an essay about AI. This was long before I was even in AI. And he asked: When will AI crash the barrier of meaning? And by that he meant like, we humans, language and visual data and auditory data, mean something to us. We seem to be able to abstract meaning from these inputs.

But his point was that machines don’t have this kind of meaning. They don’t live in the world, they don’t experience the world, and therefore they don’t get the kind of meaning that we get and he thought of this as a barrier, this is their barrier to general intelligence.

So we had a couple of workshops called AI and the barrier of meaning, because I kind of like that phrase, about what it would take for machines to understand ,and what even understand means. And we heard from many different people in many different kinds of fields. And, it turns out the word understand itself is another one of those suitcase words that I mentioned.

Words that can mean many different things to different people in different contexts. And so we’re still trying to nail down exactly what it is we want to mean when we say, do machines understand? And I don’t think we’ve come to any consensus yet, but it certainly seems that there are some features of understanding that are still missing in machines that people want machines to have this idea of abstraction, this idea of being able to predict what’s gonna happen in the world, this idea of being able to explain oneself, explain one’s own thinking processes and so on.

So understanding is still kind of this ill-defined word that we use to mean many different things and we have to really understand in some sense what we mean by understanding.

Abha: Right. Another question that you asked one of our guests, you posted Tomer and Murray. Some AI researchers are worried about what’s known as the alignment problem, as in, if we have an AI system that is told to, for example, fix global warming, and you have said, what’s to stop it from deciding that humans are the problem and the best solution is to kill us all. What’s your take on this and are you worried?

Melanie: Well, I find it… mysterious when people pose this kind of question, because often the way it’s posed is, imagine you had a super intelligent AI system, one that’s smarter than humans across the board, including in theory of mind and understanding other people and so on. Because it’s super intelligent, you give it some intractable problem like fixed climate change.

And then it says, okay, humans are the source of the problem. Therefore, let’s kill all the humans. Well, this is a popular science fiction trope, right? We’ve seen this in different science fiction movies. But does it even make sense to say that something could be super intelligent across the board and yet try to solve a problem for humans in a way that it knows humans would not support.

So, there’s so much packed into that. There’s so many assumptions packed into that, that I really want to question a lot of the assumptions about whether intelligence could work that way. I mean, it’s possible. We’ve certainly seen machines do unintended things. Remember a while ago, there was the stock market flash crash which was due to machines, allowing machines to do trading and them doing very unintended things, which created a stock market crash.

But the assumption that you could do that with a super intelligent machine, that you would be willing to hand over control of the world and say, go fix climate change, do whatever you want. Here’s all the resources of the world to do it and then have it not have that kind of sort of understanding or… lack of, in some sense, common sense. It really seems strange to me.

So every time I talk about this with people who worry about this, they say things like, well, the machine doesn’t care what we want. It’s just going to try and maximize its reward. And its reward is, does it achieve its goal? And so it will try and create sub goals to achieve its reward. The sub-goal might be, kill all the humans, and it doesn’t care because it’s going to try and achieve its reward in any way possible.

I don’t think that’s how intelligence works or could work. And I guess it’s all speculation right now. And the question is how likely is that to happen? And should we really put a whole lot of resources in preventing that kind of scenario? Or is that incredibly far-fetched and should we put our resources in much more concrete and known risks of AI.

And this was a debate going on, for instance, just in California recently with a California Senate bill to regulate AI. And it was very much influenced by this notion of existential threat to humanity. And it was vetoed by the California governor, and one of the reasons was that the assumptions that it was based on, he felt ,were too speculative.

Abha: What do you think are the real risks of the way we would function with AI if AI would be flourishing in the world at the pace it is?

Melanie: Well, we’re already seeing all kinds of risks of AI happening right now. We have deep fakes in both visual and auditory modalities. We have voice cloning, AI voices that can convince you that they are actually a real person or even a real person that you personally know. And this has led to scams and spread of disinformation and all kinds of terrible consequences. And I think it’s just gonna get worse.

We’ve also seen that AI can flood the internet with what people are calling slop, which is just AI generated content that then things like Google search engine picks up on and returns as the answer to somebody’s search, even though it was generated by AI and it’s totally untrue. We see AI being used, for instance, to undress women in photographs.

You can take a photograph of a woman, run it through a particular AI system, and she comes out looking naked. And people are using this online. And it’s just lots and lots of current risks. You know, Daniel Dennett, the late philosopher, wrote an article very shortly before he died about the risks of artificial people.

The idea that AI impersonating humans and convincing other humans that it is human, and then people kind of believing it and trusting it and giving it the kind of agency it doesn’t have and shouldn’t have.These are the real risks of AI.

Abha: Is there any way to keep the quality of information at a certain standard, even with AI in the loop?

Melanie: I fear not. I really worry about this. The quality of information, for instance, online never has been great. It’s always been hard to know who to trust. One of the whole purposes of Google in the first place was to have a search algorithm that used methods that allowed us to trust the results.

This was the whole idea of what they called PageRank, trying to rank web pages in terms of how much we should trust their results, how good they were and how trustworthy they were. But that’s really fallen apart through the commercialization of the internet, I think, and also the motivation for spreading disinformation. But I think that it’s getting even worse with AI and I’m not sure how we can fix that, to be honest.

Abha: Let’s go back to the idea of intelligence. A lot of people talk about the importance of embodiment. Also, you know, our guests mentioned this to be able to function as intelligent beings in the world because of the input we receive and experiences we have. Why is it important to think of this as a factor?

Melanie: Well, the history of AI has been a history of disembodied intelligence. Even at the very beginning, the idea was that we could somehow sift off intelligence or rationality or any of these things and implement it in a computer. You could upload your intelligence into a computer without having any body or any direct interaction with the world.

So that has gone very far with today’s large language models, which don’t have direct interaction with the world except through conversing with people, and are clearly disembodied. But some people, Iguess, including myself, think that there’s only so far that that can go, that there is something unique about being able to actually do things in the world and interact with the real world in a way that we humans do that machines don’t, that forms our intelligence in a very deep way.

Now it’s possible with vast, almost infinite amounts of data, training data and compute power that machines could come close to getting the knowledge that would approximate that, what humans do. And we’re seeing that kind of happening now with these systems that are trained on everything online, everything digitized, and that companies like Microsoft and Google are now building nuclear power plants to power their systems because there’s not enough energy currently to power these systems.

But that’s a crazy, inefficient, and non-sustainable way to get to intelligence, in my opinion. And so I think that if you have to train your system on everything that’s ever been written and get all the power in the world and even, like Sam Altman says, have to get to nuclear fusion energy in order to get to sort of human level intelligence that you’re just doing it wrong. You’re not achieving intelligence in any way that’s sustainable and we humans are able to do so much with so little energy compared to these machines that we really should be thinking about different ways to approach intelligence and AI.

And I think that’s what some of our guests have said that there’s other ways to do it. And for instance, Alison Gopnik is looking at how to train machines in the way that children learn. And this iswhat Linda Smith and Mike Frank and others are looking at too is like, aren’t there better ways to get systems to be able to exhibit intelligent behavior.

Abha: Right. So let’s move on to AGI. There are a lot of mixed opinions out there about what it is and how it could come into being. What in your view is artificial general intelligence?

Melanie: I think the term has always been a bit vague. It was first coined to mean something like human-like intelligence. The idea is that in the very early days of AI, the pioneers of AI like Minsky and McCarthy, their goal was to have something like the AI we see in the movies, robots that can do everything that people do. But then AI became much more focused on particular specific tasks, like driving a car or translating between languages or diagnosing diseases.

These systems could do a particular task, but they weren’t the sort of general purpose robots that we saw in the movies that we really wanted. And that’s what AGI was meant to capture was that vision. So AGI was a movement in AI back in the early 2000s. It had conferences, they had papers and discussions and stuff, but it was kind of a fringe movement. But it’s now come back in a big way because now AGI is at the center of the goals of all of the big AI companies.

But they define it in different ways. For instance, I think DeepMind defines it as a system that could do all what they call cognitive tasks as well as or better than humans. So that notion of a robot that can do everything has now been narrowed into, oh well, we don’t mean all that physical stuff, but only the cognitive stuff, as if those things could be separated. Again, the notion of disembodiment of intelligence.

OpenAI defined it as a system that can do all economically valuable tasks. That’s how they have it on their website, which is kind of a strange notion, because it’s sort of unclear what is and what isn’t an economically valuable task. You might not be getting paid to raise your child, but raising a child seems to be something of economic value eventually. So I don’t know, I think that it’s ill defined, that people have an idea of what they want, but it’s not clear what exactly the target is or how we’ll know when we get there.

Abha: So do you think we will ever get to the point of AGI in that definition of the ability to do general things?

Melanie: In some sense, we already have machines that can do some degree of general things. You know, ChatGPT can write poetry, it can write essays, it can solve math problems, it can do lots of different things. It can’t do them all perfectly for sure.

And it’s not necessarily trustworthy or robust, but it certainly is in some sense more general than anything we’ve seen before. But I wouldn’t call it AGI. I think the problem is, you know, AGI is one of those things that might get defined into existence, if you will. That is, the definition of it will keep changing until, okay, we have AGI. Sort of like now we have self-driving cars.

Of course, they can’t drive everywhere and in every condition. And if they do run into problems, we have people who acan operate them remotely to get them out of trouble. Do we want to call that autonomous driving? To some extent, yeah. To some extent, no. But I think the same thing is happening with AI, that we’re going to keep redefining what we mean by this. And finally, it’ll be there just because we defined it into existence.

Abha: Going back to the Nobel Prize in physics, physics has a theoretical component that proposes different theories and hypotheses that groups of experimentalists then go and try to see if it’s true or, if they can try it out and see what happens. In AI so far, the tech industry seems to be hurtling ahead without any theoretical component to it necessarily. How do you think academia and industry could work together?

Melanie: There’s a lot of people trying to do what you say, trying to kind of come up with a more theoretical understanding of AI and of intelligence more generally. It’s difficult because the term intelligence, as I said, isn’t that rigorously defined. I think academia and industry are working together especially in the field of applying AI systems to scientific problems.

But one problem is that it’s going much more in the big data direction than in the theoretical direction. So we talked about Alpha Fold, which basically won the chemistry prize. Alpha Fold is a big data system. It learns from huge amounts of data about proteins and the evolutionary histories of different proteins and similarity between proteins. And nobody can look at Alpha Fold’s results and explain exactly how it got there or reduce it to some kind of theory about protein folding and why certain proteins fold the way they do.

So it’s kind of a black box, big data method to do science. And I fear in a way that that’s the way a lot of science is going to go. That some of the problems that we have in science are going to be solved, not because we have a deep theoretical understanding, but more because we throw lots and lots of data at these systems and they are able to do prediction, but aren’t able to do explanation in any way that would be sort of theoretically useful for human understanding.

So maybe we’ll lose that quality of science that is human understanding in favor of just big data prediction.

Abha: That sounds incredibly tragic.

Melanie: Well, maybe the next generation won’t care so much. If you could cure cancer, let’s say, as we’ve been promised by people like Sam Altman that AI is going to do. Do we need to understand why these things work? You know, some kind of magic medicine for curing cancer? Do we need to understand why it works? Well, I don’t know. Lots of medications, we don’t totally understand how they work. So that may be something lost to AI is the human understanding of nature.

Abha: Right. Ted Chiang wrote an article, I think you must have read in the New Yorker, about the pursuit of art and what art is and how AI approaches it versus how we approach it. And even though art does not have the same kind of impact as curing cancer would, it does have a purpose in our human existence.

And to have AI take that away, you must have seen the memes coming out about these things, that one had expected artificial intelligence to take care of the housework, but it’s gone and taken away our creative work instead.

How do you look at that? Does that mean that as humans, we continue trying to pursue these artistic endeavors of understanding or, understanding more deeply things that we feel have meaning for our lives or do we just give that over to AI?

Melanie: That sounds even more tragic to me than giving science over to AI. Ted Chiang wrote that he didn’t think AI generated art was really art because to make art, he said you need to be able to make choices and AI systems don’t really make choices in the human-like sense.

Well, that’s gotten a lot of pushback, as you would imagine. People don’t buy it. I don’t think that art will be taken over by AI, at least not any time soon, because a big part of art is the artist being able to judge what it is that they created and decide whether it’s good or not, decide whether it conveys the meaning that they want it to convey. And I don’t think AI can do that.

And I don’t think it will be able to do that anytime soon, maybe in the very far future. It may be that AI will be something that artists use as a tool. I think that’s very likely already true. Now, one big issue about AI art is that it works by having been trained on huge amounts of human-generated art. And unfortunately, the training data mostly came without permission from the artists. And the artists didn’t get paid for having their artwork being used as training data. They’re still not getting paid.

And I think that’s a moral issue that we really have to consider when thinking about using AI as a tool. To what extent are we willing to have it be trained on human generated content without the permission of the humans who generated the content and without them getting any benefit.

Abha: Right, I think your own book, something was done by AI, right?

Melanie: Yeah, my book, which is called Artificial Intelligence: A Guide for Thinking Humans. Well, like many books, someone used an AI system to generate a book with the same title, that really was pretty terrible, but was for sale on Amazon.

Abha: So if you’re looking to buy that book, make sure you get the correct one.

Melanie: I put in a message to Amazon saying, please take this off. It’s, you know, played, it’s plagiarized. And nothing happened until I got interviewed by a reporter from Wired Magazine about it. And then Amazon deleted that other book. But this is a broad problem.

We’re getting more and more AI generated books that are for sale that either have related content to an actual human-generated book or whatever content. When you buy a book, you don’t know it’s generated by AI. And often these books are quite bad. And so this is part of the so-called slop from AI that’s just sort of littering all of our digital spaces.

Abha: Littering is a good word for this phenomenon, I think. I want to go into the idea of complexity science and AI research. You’ve written a book also on complexity science and AI research. You’ve had a long history with the Santa Fe Institute. You’ve been with us for many years now in different capacities. Why do you think AI is a complex system? And what keeps you in the complexity realm with this research?

Melanie: Well, I think AI at many different levels and dimensions of it are complex systems. One is just the systems themselves. Things like ChatGPT is a big neural network that is very complex, and we don’t understand how it works. People claim that it has so-called emergent behavior, which is a buzzword in complex systems.

And it’s something that complex systems people who think about large networks and large systems with emergent behavior might be able to put some insight in. The first notion of emergence came from physics, and now AI is part of physics, it’s won a Nobel Prize.

So I think these things are all tied up together. But also another dimension is sort of the interaction of AI and society. And clearly that’s a socio-technological complex system of the kind that many people here at the SFI are interested in studying.

So I think there’s many ways in which AI relates to complex systems research. I think SFI in particular is a great place for people to take this slower approach to thinking about these complex problems rather than the more quick incremental improvements that we see in the machine learning literature without very much deep thinking about how it all works and what it all means. So that’s what I’m hoping that SFI will be able to contribute to this whole discussion.

And I think, my colleague David Krakauer here at the SFI and I wrote a paper about the notion of understanding in AI that I think is influential because it really laid out the complexities of the topic. I do think that we people in complex systems do have a lot to contribute to this field.

Abha: So Melanie, we’ve talked about, you know, AI as a complex adaptive system. We’ve talked about AGI, the possibility and where we stand. Where do you think the research will lead us, eventually, say in another 10 years, having seen the progress we’ve made in the last 10 years?

Melanie: I think that one of the big things I mentioned is that the current approach to AI is just not sustainable in terms of the amount of data it requires, the amount of energy it requires. And what we’ll see in the next 10 years is ways to try and reduce the amount of data needed and reduce the amount of energy needed.

And that I think will take some ideas from the way people learn or the way animals learn. And it may even require AI systems to get more embodied. So that might be an important direction that AI takes, I think, in the next decade so that we can reduce this ridiculous dependence on so much data, so much energy, and make it a lot more sustainable and ecologically friendly.

Abha: Great. Thank you so much, Melanie. This has been wonderful as a season and to have you as a co-host was such a privilege. I’ve really enjoyed working with you and I hope we continue to discuss this over time. Maybe we’ll have another season back when you and John have finished your workshop that’s going to happen for the next three years.

Melanie: Yeah, that would be great. It’s been an incredible experience doing a podcast. I never thought I would do this, but it’s been fantastic and I’ve loved working with you. So thanks, Abha.

Abha: Likewise. Thank you, Melanie.

Complexity is the official podcast of the Santa Fe Institute. This episode was produced by Katherine Moncure. Our theme song is by Mitch Mignano, and additional music from Blue Dot Sessions. I’m Abha, thanks for listening.

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