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250 Filmmakers Tell 1 Pandemic Story
/in Coronavirus, Covid-19, Narrative, Storytelling, Video/by Mark LovettThe depth of storytelling is without limits, which is why I often tap into the brilliance of other individuals and organizations to expand my own wisdom and perspective on the art. And that would explain why I’m a big fan of Muse Storytelling. As masters of video production they not only produce world-class film, but they are world-class givers, sharing their expertise with the film industry at large, as well as the global community.
Amid the crisis we now know as COVID-19, they decided to send the world a message of hope based on the poem Lockdown by Brother Richard Hendrick, as read by spoken word artist, Marshall Davis Jones, with the stunning visual representation by a global team of filmmakers.
A heartfelt thanks to Founder Patrick Moreau, CEO Rebecca Rapple, and the incredible team at Muse Storytelling for producing this message of hope and human resiliency.
Lockdown
Yes there is fear.
Yes there is isolation.
Yes there is panic buying.
Yes there is sickness.
Yes there is even death.
But,
They say that in Wuhan after so many years of noise
You can hear the birds again.
They say that after just a few weeks of quiet
The sky is no longer thick with fumes
But blue and grey and clear.
They say that in the streets of Assisi
People are singing to each other
across the empty squares,
keeping their windows open
so that those who are alone
may hear the sounds of family around them.
They say that a hotel in the West of Ireland
Is offering free meals and delivery to the housebound.
Today a young woman I know
is busy spreading fliers with her number
through the neighbourhood
So that the elders may have someone to call on.
Today Churches, Synagogues, Mosques and Temples
are preparing to welcome
and shelter the homeless, the sick, the weary
All over the world people are slowing down and reflecting
All over the world people are looking at their neighbours in a new way
All over the world people are waking up to a new reality
To how big we really are.
To how little control we really have.
To what really matters.
To Love.
So we pray and we remember that
Yes there is fear.
But there does not have to be hate.
Yes there is isolation.
But there does not have to be loneliness.
Yes there is panic buying.
But there does not have to be meanness.
Yes there is sickness.
But there does not have to be disease of the soul
Yes there is even death.
But there can always be a rebirth of love.
Wake to the choices you make as to how to live now.
Today, breathe.
Listen, behind the factory noises of your panic
The birds are singing again
The sky is clearing,
Spring is coming,
And we are always encompassed by Love.
Open the windows of your soul
And though you may not be able
to touch across the empty square,
Sing.
Brother Richard Hendrick
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You Matter – Your Story Matters
/in Emotions, Health, Humanity, Passion, Storytelling, TEDx/by Mark LovettOver the years I’ve talked to thousands of people about storytelling, especially the impactful niche of personal storytelling, and the most common reason many folks are reluctant to tell their story is that they don’t feel their story matters much, that their experiences and lessons learned over the years wouldn’t be of interest to others. When I hear such explanations it can sound as though they’re saying they don’t matter, so why would anyone listen to them.
When I mention this view they quickly counter that they do, in fact, matter to their inner circle of family and friends, that they are loved and listened to. But in the grand scheme of things, to society as a whole, they don’t feel they have much wisdom to offer. That’s a belief I have never subscribed to, which is why I enjoy the process of working with these individuals to uncover the pearls of wisdom they have to share, and to build a narrative around them.
Working with entrepreneurs and business leaders, students and academics, immigrants and refugees, inmates and military personnel, I’ve seen how powerful these personal stories can be once they understand and believe that their story can positively affect the lives of others.
Which brings me to an insightful book that preaches the gospel of recognizing how much we matter and the benefits which can be derived at the individual level, and within our society. You Matter: Learning to Love Who You Really Are by Matthew Emerzian offers insights into the topic of why each of us matters, how acknowledging that fact empowers us, and why that newfound understanding and perspective ultimately benefits the world around us.
I had the pleasure of meeting Matt in 2012 after he gave his TEDxSanDiego Talk. It was hard to square up the man with a smile that exuded such happiness, positivity and charm, with the narrative he had just shared on stage.
From his perch atop the entertainment world as a senior vice president working on projects for artists such as U2, Coldplay, and Black Eyed Peas, Matt’s world crumbled around him as he fell into a deep abyss of depression and chronic anxiety disorder. A place of darkness and despair that could cripple the best of us.
But thankfully Matt’s story is one of personal transformation and revelation as he came to understand the principles of living a life that recognizes the value each of us possesses, and the inherent value of service to others. Coming out of his ordeal Matt founded a non-profit, Every Monday Matters, committed to helping individuals and organizations understand how much and why they matter – to themselves, the community, and the world.
If you read his book (please do, it will transform you) you’ll experience a degree of openness and vulnerability that few storytellers dare to share. In doing so he illustrates the fact that the only way a story of change can have impact is for the audience to understand the full extent of the highs and lows, the doubts and rebirth. Such stories can’t be sugar coated, or stay on the surface. Authenticity must be front and center. They need to spend time in your shoes.
Along the way Matt also came to embrace the need for empathy and compassion, to hear the stories of strangers, as well as his friends and family. To ask questions. To see the value in experiences different than his own. I’m a big proponent of storylistening for just this reason, as our stories become more impactful when we listen to and respect the journey that people we meet have endured. Storytelling wisdom is gained when we listen more than we speak.
The most impactful stories are those crafted with the audience in mind and formulated to resonate in a way that will alter their perception of an important issue. To that end I always tell speakers, It’s your story, but it’s not about you. When change is what matters most, the essence of your story should take the audience on a journey, leading to a new place of understanding, but do so with a sense of service, not with an objective of accomplishment.
As you come to embrace how much you matter, how much we all matter, and how much more we matter when thinking of each other, take a moment to consider how your personal story can exemplify this impactful paradigm of humanity. How it can reveal more of who you are, and create more profound connections. Remember. You Matter. Your Stories Matter.
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Going Home in the COVID-19 Pandemic
/in Coronavirus, Covid-19, Health, Storylistening/by Mark LovettMarch 16th marked the tenth day of my visit to the United States, and it was hard to believe how much the world had changed in that short period of time. It was a travel day for me, actually a pair of travel days as I was scheduled for a train ride from Irvine, California south to San Diego, then a flight to Los Angeles before an overnighter to London, then on to Lisbon.
The headlines that greeted me via my smartphone were even worse that when I wrote my previous blog post about Storylistening and the COVID-19 Pandemic. The BBC announced “Global coronavirus infections outpace China cases“, “Germany latest country to close borders”, “Stocks plunge despite global central bank action“, “Airlines cancel most flights as coronavirus spreads” while CNN offered their own spin on things.
I felt like I was living in a James Bond movie. One where the ammunition factory was about to blow up, and the steel doors are closing as Bond sprints across the room and leaps through at the last second and the building behind him explodes in a ball of fire.
Okay, maybe not quite that dramatic, but the odds of my reaching Portugal seemed to be diminishing. And what would the world look like when/if I made it? Some governments were moving quickly – Italy had already declared a state of emergency – while others were taking a go-slow strategy, with Britain’s chief science adviser opting for their “herd immunity” strategy.
In America, Donald Trump was heard to quip, “Relax. We’re doing great. It all will pass.”, while the Director of the National Institute of Allergy and Infectious Diseases, Anthony Fauci stated, “As I’ve said many times, and I’ll repeat it: The worst is, yes, ahead for us.”
There were few seats open in the boarding area for the London flight from LAX. Less than 10 percent of the passengers were wearing face masks, and most of them were nonchalant about the necessity. There was the thirty-something couple hugging and kissing. She wore a mask, but he didn’t. The family of four in front of me was split along gender lines, with the mother and daughter masked, father and son without. One young man had his mask around is throat, while an older woman had pulled hers down to where it was hanging from her chin. America was not yet with the program, and the president did not seem to give a shit.
After 35 hours of Uber, train, bus, flight, flight, flight, metro, metro, ferry, train, taxi I made it home with a small sack of groceries. I had to stand in line dragging two suitcases, then do my shopping wearing plastic gloves, but it illustrated that Portugal was taking things seriously. America, not so much. The following day Portugal declared a state of emergency. They were definitely serious about dealing with this health crisis.
So now I’m sequestered at home, other than walking to the market for groceries. The count of infections and deaths continues to rise. I sit here on the couch, still contemplating what my future looks like, what will happen to my community, to my friends and family, to the billions of people who I don’t know but who are dramatically affected by COVID-19.
All of us have some measure of control in how we act, but in the grand scheme of things, are largely dependent upon decisions of world leaders who may, or may not, make the right call. Who may, or may not, pay attention to the science. Who may, or may not, let money be their guiding force. Who may, or may not, let politics get in the way of what’s best for the planet.
What’s your world like, how have you experienced the pandemic? What stories are you living, and more importantly, what stories are you capturing in the moment. The stories that you’ll want to tell your young children when they’re old enough to understand. The stories you will want to remember when you make decisions on what to buy, where to go, who to vote for, and how to treat others in the world. Yes, those stories.
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Storylistening and the Covid-19 Pandemic
/in Health, Humanity, Storylistening, Trauma/by Mark LovettIt’s Saturday, March 14th. I’ve been traveling for the past nine days, from Lisbon to San Diego by way of London and Los Angeles. At the moment I’m visiting a friend in Orange County, California. From the balcony I look out across the upscale community, an enclave of posh condos and apartments intermixed with office buildings built of glass, steel and stone. Patchy gray clouds drift above the rain soaked streets as the occasional BMW or Tesla zips by below. (This is quite different from my lifestyle in Portugal, but the world comes in many variations.)
It’s a peaceful day, and it’s obvious that folks live rather well in this part of the world. But the world has changed radically in recent days as Covid-19, Coronavirus as it’s commonly called, has been rewriting life for everyone, even those who are accustomed to the pleasurable stories that money can conveniently purchase. Write a check, problem solved, life is good.
But Covid-19 is something of an equalizer. If you spend time with someone who is infected with the virus, whether they have obvious symptoms or not, you may be the next in line for a trip to the hospital, or spending a few weeks under self-quarantine. You can’t bribe a virus, or hire a bodyguard to protect you. A virus just doesn’t care. Your behavior will write your story.
Photo by Anna Shvets from Pexels
With large gatherings now banned and the sports industry on hold, it’s no surprise that more people are turning to social media to stay connected with friends and family. It’s a time for personal storytelling, and an opportunity for heartfelt storylistening. A time for empathy and solidarity, for sharing and understanding.
And I’m seeing a lot of that, thankfully, as friends and strangers band together to weather the viral storm with offers of help for those who are under quarantine, or who are at risk and don’t want to venture out. But sadly there are voices out there claiming the situation is a hoax, or is being overblown, even as the infection rate soars and the deaths mount daily.
That’s why it’s important during such times to continue our storytelling, so that others know what is actually happening. But just as important, we should spend more time storylistening. Listening to the stories of those who are affected, listening to the scientific and social experts (not the politicians) who understand the complexities of how this virus is spreading, how it’s impacting individuals, and how those effects ripple out through all societies.
Photo by Andrea Piacquadio from Pexels
By sharing stories we gain a better understanding of the issues that each of us is having to deal with, and by do so we become more empathetic toward others, especially those at great distance. It’s about the old adage of putting ourselves in someone else’s shoes, of thinking about what they must be going through, and how that situation would feel if it were us.
It’s also about recognizing that we will never know the whole story. That there are unknown elements in play that can further complicate the narrative. If we’re in dialogue, then we have an opportunity to ask clarifying questions, and I encourage you to do so, but if not, if you’re just reading, hearing or watching someone’s story, don’t jump to conclusions. Don’t assume.
Though we don’t know when, life will ultimately return to some sense of normalcy, and when it does, we can take more group hug selfies. Until then, be safe, and listen to the stories that manifest from these difficult times. It has the potential to change us, and thus, humanity.
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Storytelling and the Power of Reflection
/in Emotions, Ira Glass, Joan Didion, Narrative, Reflection/by Mark LovettPersonal storytelling consists of recounting events that have occurred in the past, describing the state of the world as it is today, or offering up our theory as to how the future may look.
As storytellers our narratives include a combination of external actions and events, as well as your internal thoughts or feelings. An audience rarely wants to hear a continuous string of facts which sounds like a news article. They want to connect to the storyteller and they want to understand what the story meant to them. They need the Pathos (emotion) in addition to the Logos (logic), and this is the power of reflection in storytelling.
It goes beyond what you saw, or heard, or read. It’s about your interpretation of events, how it made you feel, how it changed you. It can also examine an alternate storyline. What if you (or someone else) had said something differently, or reacted differently. The what if can be powerful, as the audience is given the opportunity to ask themselves, what if.
In a 2004 article on Transom.org, This American Life creator Ira Glass states his view that reflection is critical to radio storytelling.
For some folks reflection comes naturally. They want listeners to know how they felt, or what they thought, or what they believe to be true. But for many people the process is not so easy. They lean toward reporting the facts and refrain from sharing their innermost thoughts. Sometimes it’s an issue of vulnerability, digging into feelings they are not comfortable sharing in public, but often times it’s about the common tendency to stay on the surface when telling a story, or believing their view would not be interesting to an audience.
Joan Didion is one of my favorite writers for many reasons (more on that in a future post), but one is her prowess when it comes to reflection. Much of Joan’s writing is about her views of people and events, as well as herself, and the nature of being human. It’s a style of writing that requires pausing, examining, digesting, and sometimes a long look in the mirror.
I was reminded of this trait while re-reading Slouching Towards Bethlehem, a collection of essays that largely describe her experiences while in California during the societal upheaval of the 1960s. In one of those essays, On Keeping a Notebook, she reflects on the fact that we’re not the person we seem to be in the moment, but rather a collection of all the versions we’ve been over time. We frequently upgrade our operating system, for better or worse.
While the following line is her own reflection, one cannot but follow suit and think about the relationship that we have with our past selves.
When I first read that line I stopped and put the book down to ponder my own paradox with past revisions of myself. Which personifications was I happy with and maintained a healthy relationship with, and which were best forgotten. The ones that, according to Joan, I should at least recognize for their contribution.
After that single sentence she could have moved on to the next topic, but her reflection went much deeper, diving into the consequences of not following a nodding approach.
As you write your personal story, look for those moments when your thoughts, opinions or conclusions, your musings or insights can add depth and emotion to the narrative. Were you changed in the process? Can the audience connect to your story in a way that changes them?
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