Liel Leibovitz at The Moth from The Avalon Hollywood

The Moth has been hosting storytelling events for 20+ years, and the thousands of storytellers who have graced their stages are proof that every story is unique, and that the best stories come from our personal experiences.

In this story, as told by Liel Leibovitz, we hear about a boy growing up who finds out that his father is really a bank robber. It’s not something that most of us can relate to. But there is a larger story about the stereotype of what it means to be a man, and Liel’s journey to deciding what that would be for himself and his son.

We’ve all had relationships with our parents during our younger years, and for those who decide to raise a family of their own, there is that ever present past alongside the desire to make our own child raising decisions. Think about your own experiences, then as you listen to Liel’s story, and review the manuscript, identify the story blocks that you could develop to craft a story of your own.

Transcript

I grew up in Israel in the 1980s, and my father’s mission in life was to make sure that his only son – me – grew up to be a real man. And so, as soon as I turned four, every Saturday he would take me shooting, which was funny because my arm was exactly the size of a Smith & Wesson .45. Two or three years later, when I was six or seven, my father would take advantage of Israel’s surprisingly relaxed car rental insurance policies and he would rent a car to take me on driving lessons, which were terrifying because even sitting in his lap I didn’t reach the wheel.

And every two or three weeks, there was a special treat. We would stop the rental car by the side of the road and my father would make me go out and change tires, whether the car needed it or not, because in his mind knowing how to change a tire was the epitome of manhood.

I really hated changing tires, and I really hated spending these Saturday afternoons with him, but he didn’t care, because he was inducting me to the International Brotherhood of Macho Men. Every chance he got, he would take me to the movies to see his heroes – men like Sylvester Stallone or Chuck Norris or Burt Reynolds. I didn’t mind these guys too much, but they were not my idols.

My real idol was a real live person named the Motorcycle Bandit. He appeared on the scene shortly after my twelfth birthday, robbing bank after bank after bank all over Israel. He was in and out of the bank in under forty seconds, never leaving behind any clues to his real name or identity, and he just drove people insane.

He got so popular that Israel’s most famous comedy sketch show – sort of the local version of Saturday Night Live – devoted an entire episode to the bandit, speculating in one bit that he probably never robbed a bank in Jerusalem because he didn’t particularly care for that
city. So you can imagine what happened the next day, when, in an apparent tribute to his favorite television show, the Motorcycle Bandit robbed his one and only Jerusalem bank.

People went insane. Women who worked at banks would write their names and phone numbers on little notes so that if the sexy heartthrob robber happened to hit them up, maybe when he got off work he would find their number and give them a call.

But the people who loved the bandit most were us teenage boys. For us he was a complete hero, and on Purim, which is more or less the Jewish equivalent of Halloween, we all dressed up like him – in a leather jacket and a motorcycle helmet and a big shiny gun.

So about a year and a half later, I’m thirteen and a half, I’m walking home from the eighth grade, and no one’s home, so I sort of mosey over to the kitchen to make myself a snack. I hear a knock on the door, but it’s not a tap-tap-tap. It’s a boom-boom-boom. I open the door, and there are three police officers standing there. They’re not looking at me, and none of them are saying anything.

Finally, about half a minute later, one of them looks up and says, “Son, we arrested your father a while ago with a motorcycle helmet and a leather jacket and a big shiny gun.”

And I remember my first thought was, NO WAY! You think, you think MY DAD, with a beer belly and the receding hairline and the terrible jokes, you think THAT GUY is the Motorcycle Bandit? But in the hours and the days and the weeks that passed, I learned that he was.
The real story, as I soon came to learn, began about two years earlier when my father, who was thirty-five at the time and the son of one of Israel’s wealthiest families, was summoned by his father to have “the talk.” Now, if you’ve watched a couple episodes of Dallas or Dynasty or Knot’s Landing, you know “the talk.” It’s when the rich guy calls his wayward playboy son over and says, “Son, it’s time for you to grow up and be a man, take responsibility for your life and get a job.”

My father didn’t like that at all. So he stormed out of my grandfather’s office, and he hopped on his motorcycle – because, of course – and he drove to the beach, and he’s sitting there watching the sun set over the Mediterranean, and he’s thinking about his life. My father grew up in the sixties, so he believed in sayings like “do what you love” or “follow your heart.” So he decided to follow his heart, and his heart led him to robbing banks.

Now, as it turns out, he was good at it; he was great at it; he was an inventor, an innovator. He was the Elon Musk of the stickup job. And later I learned how he did it, and how he did it was incredible. He would rob a bank in under forty seconds, he would run out, jump on his motorcycle, drive around a corner, up a ramp he had custom-built, and into a van, where he would pause, and like some mad philosopher king, he would ponder this seminal, existential question of bank robbing, which is, “Where’s the last place you would ever look for a bank robber?”

And the answer is – and now is the point in the story where any of you contemplating this line of work may want to pay attention – the answer is that the last place you would ever look for a bank robber is the bank.

So my father would take off his jacket and his helmet and tuck the gun back into his pants, and walk out of the van calmly, around the corner, and back into the bank, which at that point was a crime scene sprawling with police officers. One of these police officers would inevitably run up to my father and say, “You can’t be here, sir, this is a crime scene!”
And my father would look at him with this dopey look and say, “Oh, can I please just make a quick deposit? My wife will kill me if I don’t”, and the police officer would say something like, “Sure, but be quick about it,” and my father would walk up to the bank teller and deposit the same exact cash he had robbed three minutes earlier. This being the 1980s and computers were still kind of new, he made the cash virtually untraceable.

It was a work of genius. He was so good at it, and he became so popular, that eventually he got cocky. He robbed one bank a day, and then two, and then two banks in two different cities. One time he was riding in a cab on his way to the airport when the urge struck. He told the cabdriver, “Would you mind stopping? I promise I’ll only be a minute.” It was literally true, he was only a minute. He robbed the bank, hopped back into the cab, drove to the airport, and flew off for an all-expenses-paid vacation in New York.

But you know how this story ends. Eventually he was caught. And after he was arrested, life got really weird, in no small part because Israel, as you may have heard, being a small state surrounded by enemies, has its own ideas about prison. And one of them is that prisoners get one weekend out of the month off to go home on vacation. The logic being that since the country only has one really secure airport, if you want to go ahead and try to escape through Gaza or Syria, you know, be our guest!

So every fourth Friday, I would go to the prison to pick my father up, and we would go out and have ourselves a weekend on the town. People would come up to him and high-five him and pat him on the back and say things like “Bandit, we love you, you’re cool.” But to me he wasn’t cool. And he wasn’t even the bandit. He was my dad, who had just done something so incredibly stupid that it landed him with a twenty-year prison sentence.

But even weirder than that one weekend a month together, were the three weekends a month apart. Because here I was, and it was Saturday, and there’s no shooting practice, there’s no driving lesson, no changing tires, no Burt Reynolds, and I didn’t know what to do.

So one afternoon I got dressed, which, by the way, was also an ordeal, because when the police searched our house, they took not only all of my father’s belongings but, because we were more or less the same size, also all of mine. So I put on one of the few outfits I had – which was this really ratty, disgusting purple sweat suit with the Batman logo up front, which I assume the police thought no self-respecting bank robber would ever wear.

I walked out and started walking around town, literally looking for a sign. And then I saw it. It was a sign above a theater advertising an all-male Japanese modern-dance show. And I thought about it for maybe five seconds, and then I did something that I’m pretty sure my father would disown me for: I bought a ticket, and I went in.

And I loved it. Here onstage were these amazing, elegant, graceful men, and guess what? They weren’t punching each other in the face, they were not riding Harley-Davidsons, they were dancing. And yet they were so secure in their bodies and their masculinities, and I thought to myself, “If that’s another way of being a man, what other ways are there?”

And thus began a two-decade-long process of trial and error – of trying to figure out what kind of man I wanted to be. And look, some of the things I learned didn’t surprise me at all. I love bourbon, and I’m the kind of guy who would watch as much sports as you would let
him in a given day.

But some other things were really surprising. Like some French poets moved me to tears. And even though bourbon was great, you know what else tastes really good? Rosé wine. And even though I’m really, really good at changing tires, if I get a flat now, I’m calling AAA. I didn’t share any of these insights with my father, because for one thing he’s not really the kind of guy who’s into insights. But, for another, by the time he got out of prison, I was already a man in full – it was too late for him to shape who I became in any meaningful way.

He still comes to visit from time to time, in New York, where I live with my family. And on one of these recent visits, he and I are sitting in my living room, not talking, as men do, not talk. And my son comes prancing into the room – my three-year-old boy. Now, that boy looks exactly like me. Just as I look exactly like my father.

And if there’s one thing in the world that boy loves, it’s his older sister. And if there’s one thing in the world that his older sister loves, it’s Disney princesses. And in prances the child dressed like Princess Anna from Frozen. I look at my son, and I look at my father looking at my son – who, by the way, looked amazing in this light green taffeta with a black velvet bodice and some lovely lacing – and I know that my father is judging me.

But you know what? I don’t care. Because at that moment I realize, strangely, that by going to jail when he did, he didn’t just free me up from the burden of this macho nonsense, he also freed up my son to grow up as a happy boy who can pretend to be whoever he wants to be, even – or especially – a pretty, pretty princess.

And I can’t tell you how grateful I am that instead of going through life mindlessly as two tough guys, my son and I are free to become real men.

[Note: all comments are my opinions, not those of the speaker, or The Moth or anyone else on the planet. In my view, every story is unique, as is every interpretation of that story. The sole purpose of these posts is to inspire storytellers to become better storylisteners and to think about how their stories can become more impactful.]

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Tara Clancy on The Moth Mainstage at the Avram Theater

The Moth has been hosting storytelling events for 20+ years, and the thousands of storytellers who have graced their stages are proof that every story is unique, and that the best stories come from our personal experiences.

I recently came across this video and knew that I had to share it as an example of how the lessons that we learn early on in life can change the way we see the world and our place in it. For Tara Clancy, one such lesson involved a shift from fear to choice.

She does so with a sharp sense of humor while taking us back five generations to set the stage for stories about her mom, her upbringing in Brooklyn, and a most unusual set of after dinner conversations.

It’s a revealing look at straddling cultures, spanning generations, and absorbing the wisdom that comes from interesting dialogues. Consider the experiences as you grew up which shifted your outlook on life. I’ll bet there’s a great story there.

Transcript

I am a fifth generation native New Yorker. Yes. And while there is definitely something cool about that, there is also actually a downside. Like there was this moment when it occurred to me that while many other American families also first landed in New York City for the most part, at some point they kept going, pioneering their way west with little more than the rags on their backs and all of that. Meanwhile, my own family got off a boat, took two steps, looked around, and were like, good enough for me, forever.

I come from a place where discovering the great unknown means New Jersey. All right, well, it didn’t take me too long to realize that the reason for all of this was mostly fear, and that that fear pervaded everything. Where you live, what you do for a living, you just find the first solid thing and you don’t risk going any further. But as it turned out, my mother was something of a pioneer herself, although not without her share of false starts. So at 20 years old she had hardly been outside of Brooklyn, and when she did finally leave a year later, it was only because she married a guy from Queens, which she then called the country.

Anyway, they had a baby – me. But by the time I was two they had divorced, and to make a little extra money afterwards she had to take on a weekend job cleaning apartments. So the very first was this duplex filled with antiques and artwork and Manhattan skyline views. But as it winds up, it would be her last, because over the course of one year, she would go from being the cleaning lady, to the secretary, to the girlfriend of the multimillionaire who owned it, named Mark. They never wound up living together full time. For one, they were both divorced, so it was just kind of a been there, done that.

But also my mother had this philosophy, which was just that if you take somebody’s money, you have to take their advice. And so when it came to raising me, she wanted to do it her way, which she felt like had to be on her dime. So she would go on to spend every weekend with him, and then every weekday back home in Queens living this dual life for the next 22 years. And on the weekends when I wasn’t with my dad, I was right there with her. So together my mother and I had kind of become superwomen, able to jump social strata in a single bound.

Because of my mother’s plan my life was really never very different than anybody else’s around me. I wasn’t sent to some special school or moved to a penthouse, so I just kind of grew into your typical queen’s teenager. I was a walking cliche in every other way, except for the fact that I still spent every odd weekend talking and talking with this brilliant art collecting, croquet playing man at his mansion in Bridge Hampton. And when I say talking and talking with him, I actually really mean it. I don’t just mean we just sort of made some chit chat. I mean that after dinner, every odd Saturday, for 20 years of my life, he would look at me and ask me some enormous question. Something like, “If I were to tell you that the universe was infinite, how would that make you feel?”

And for that when I was five years old, right? But I just lived for it. And we would just talk and talk, and sometimes my mother would, would kind of leave us to it, and then she would come back in an hour later and she would be like, “Are you too gonna talk about the moon and the stars all night?” And that’s actually what she came to call them. Our Moon and Stars talks. So by 16 years old, like every other teenager, I didn’t wanna be away from my friends for five minutes, let alone a whole weekend. And so for the first time, I decided to ask Mark if they could come along. So I give him a call, ring, “Mark speaking, hey, it’s Tara. Would it be okay if I brought some friends this weekend? Yeah, that’d be fine.” Click.

He wasn’t one for small talk, right? So the problem wasn’t him. The problem was that some of my friends had no idea about any of this. Now, it really wasn’t that I was trying to hide it. It’s just that the details weren’t always easy to slip into conversation. Truly, the only thing I could compare having to tell them about all this stuff is just kind of like my own coming out. You know? I’d sit them down and I’d be like, “I have something to tell you, and I hope you find it in your heart to accept me. But I know a rich guy.”

But truly, I wanted them to come. I didn’t want them to be embarrassed, so I knew that I had to explain some things to them. And so literally here I am in the schoolyard one day at recess, and in one corner kids are just beating the crap out of each other. It’s how we do recess in Queens, right? And in the other corner I’ve pulled aside my friend who I’ve invited, Lynette, and I’m just sitting there and I’m trying to explain to her what it means to go antiquing.

But before you know it, there we are. Me, Lynette, her boyfriend Rob, piled into this little red civic. We’re flying down the highway heading from Hollis to here, to the Hamptons. And just for brevity’s sake, we’ll say Lynette’s, like Rosie Perez, Rob’s like Eminem. They’re in the front. I’m in the back, and as we’re getting closer I’m getting more and more nervous, and I’m trying to think of everything I haven’t explained, and I’m like, “Oh my God, did I tell you about the ketchup? The ketchup? Listen, you can’t put the ketchup bottle on the table. You gotta take the ketchup out of the bottle. You gotta put it in a little bowl with a spoon. Don’t ask.” And then I keep getting nervous, and more things, that I’m like, “Oh, guys, I got another one. I forgot to tell you guys. Listen, there’s no TV there.” And they’re like, “Dear God, what does he do all day?”

So that kind of led me to explain what we did after dinner, which wasn’t watch TV, it was the talks, the moon and the stars talks. So I should have said while I loved these talks, they actually were not for the faint of heart, meaning Mark didn’t care if you were some kid unaccustomed to this kind of thing. He was going to talk and argue with you like you were his peer and fully expect you to keep up. I just didn’t know if my friends were gonna be into that or if he was gonna be into them, but before you know it, too late, there we are, pulling into the driveway.

So the most shocking thing you first saw at Mark’s house actually was not the beautiful hand laid stone pool, or this enormous regulation croquet court, or even the historic farmhouse. It was just Mark himself. He was six foot 10, yeah, six foot 10. So here are these two kids from Queens, like, is that a man or is that oak tree wearing Chinos?

Likely because everyone completely ignored my stupid paranoia and were just themselves the day went without a hitch. But after dinner that night, when I knew the questions were coming, I couldn’t help but to be a little bit nervous again, and then of course, he just goes for it. He looks up at them and he’s like, “So if we were to presume we could fix all of the societal ills right here and now, where would you begin? Go.”

I mean, you guys gotta understand. Nobody is asking us these kinds of questions, right? And even though we are at an age where you might be starting to think bigger picture, you might be starting to think about what you wanna do for a living, we come from a world where it only ever felt like there were two job options. It was cop, not a cop. What else could there be really? You know, really.

Sort of like your parents, you took the first solid city job that came along and you held on for dear life, and you were proud, and you did your best, and you did it forever. So solving society’s ills. But of course, soon as he says it, I kind of look down, take this breath, and then I hear Lynette say something, and I look up, and now Rob has disagreed with her. And now Mark is sort of nodding along and just like that, it’s on.

And not just that one time. Most of these friends would come back for many more of these talks over the years. And while in a way it was this beautiful thing, of course, in another way it was a little bit sad because what most of them would tell you now is that those talks forever changed the way we thought of ourselves.

They really made you think that maybe there was a little more to you than you knew. And for some, certainly not all, but definitely for me, they even made you think like, boy, you know, if A) I like talking about these big things and B) the universe is infinite, then C) there’s gotta be some more job options than bus driver.

But truly, I think this experience gave us something that unfortunately I know my parents didn’t have. And that’s just when we came to that crossroad in life the next couple of years, we had the confidence to know that we had a choice. And so today I live in a whole other world, Manhattan, a whopping 20 minutes away from where I grew up. But that’s not because of fear. That’s my choice. Thank you.

Watch Tara’s video, make some notes about what impressed you, then read the manuscript and watch again. You’ll see & hear differently the 2nd time around.

[Note: all comments are my opinions, not those of the speaker, or The Moth, or anyone else on the planet. In my view, every story is unique, as is every interpretation of that story. The sole purpose of these posts is to inspire storytellers to become better storylisteners and to think about how their stories can become more impactful.]

If you enjoyed this article…Buy me a coffee

Learn more about the coaching process or
contact me to discuss your storytelling goals!

Subscribe to our newsletter for the latest updates!

Copyright Storytelling with Impact® – All rights reserved