In each moment we’re writing the story of our life based on the decisions we make, and a big part of that story revolves around the career path we choose. On that point, the sage wisdom of the 21st century is to follow your passion. Which, by definition, implies that everyone has a passion to follow. But in my experience, that’s not always the case.
Over the years I’ve worked with hundreds of business leaders, entrepreneurs, professors, veterans and students, developing personal stories that include such career-based decisions, and the driving forces behind those choices.
The word passion comes up during these conversations, but not in the way one might expect. As it turns out, life decisions – both personal and career related – involve a complex medley of intellectual and emotional threads coursing through hearts and minds, often in a most perplexing pattern.
When the topic of passion does arise – I’ll overly simplify here for the sake of discussion – people tend to fall into one of three camps. They have too many passions, they have clarity on their one, true passion, or passion wasn’t a factor when determining their vocational path.
We’ve all met people who knew what they wanted to do from an early age. They fell in love with science while standing in the backyard watching the night sky, were captivated by art and carried a sketchpad everywhere they went, or they spent hours each evening incessantly practicing an instrument. Decades later they were still pursuing that one passion, as no other opportunity that crossed their path in the ensuing years had caused them to stray.
For those with a handful of passions, life tends to be a blend of excitement and frustration. Too many pursuits with so few hours in each day. In some cases the choices are narrow in scope, such as which discipline to pursue within the field of neuroscience, but the options can also be quite diverse, such as whether to become a doctor or a ballerina.
Sometimes that journey leads to a major/minor relationship. A brilliant surgeon by day, and musician by night, a best-of-both-worlds sort of life, though it must be said this particular combination doesn’t work so well in reverse. Other times the choice is made, often for more practical reasons such as money, and there was no looking back.
Then we have the aimless souls without desire or direction, just stumbling through life. Or so the purpose pundits would have us believe. But when I ask these folks about passion, they smile, and say something like, “Don’t have one, have never needed one, I just enjoy my work.”
“Find a job you enjoy doing, and you will never have to work a day in your life.” – Mark Twain
And that mindset can result in a string of jobs that, in many cases, cover a number of career paths which overlap, intersect, or build upon each other. The graphic designer that shifted to building websites and, ultimately, toward creating content which took them into social media. It’s not a matter of reaching a skill-based pinnacle, but rather a quest to explore and stretch.
Truth be told, I’m a proud member of this cohort. Looking back, I would have to say that my career path wasn’t a result of following a passion, but rather a series of opportunities, each of which offered the promise of learning, which is one thing I enjoy above most everything else.
I’ve enjoyed my corporate adventures in operations, information systems, marketing, and a CEO stint. And my days organizing TEDx events – despite the trials, travails and tribulations – were most enjoyable. The team members I worked with were incredible (I learned a lot from each of them) and there was nothing more gratifying than seeing speakers (and performers) take the stage to share, illuminate and delight audiences.
Backstage at TEDxSanDiego 2015
The thought of having pursued one of these avocations has an appeal, to be world-class in a specific discipline. To be at the top of my game, complete with all the industry adulation. But I would have lost out on the diversity of learning that I’ve enjoyed. The viewing of life from so many perspectives.
So if you have a passion that drives you, then dive in, go deep, and master your craft. But if professional passion is not your cup of tea, it’s okay to just enjoy what you do, and let it feed your passion for life. In the end, it will still be a story well told.
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Unraveling the Tangled Web of Slavery
/in History, Humanity, Justice, Portugal, Slavery, Trauma, Truth/by Mark LovettOne of the beautiful aspects of storytelling in the digital world involves the inclination of the story you’re reading (or watching) to magically lead you by the hand, so to speak, to another relevant and connected story, sort of like a squirrel scampering from one branch to the next.
In my case, this act of magic happens after I receive a Nieman Storyboard email newsletter. Case in point, within the December 27th edition Jacqui Banaszynski mentioned that she looks forward to magazine freelancer Barry Yeoman’s annual list of favorite longform stories.
The 2019 version is a diverse and thought-provoking list, with something for everyone, so do dive right in, there’s a special treat waiting for you there. One story Jacqui highlighted was “The Long Road Home” by Deborah Barfield Berry and Kelley Benham French of USA Today.
The 40 hour journey of Wanda Tucker from Virginia to Luanda, Angola also spans some 400 years, back to the days when Africans were taken from their homeland and forced to live in, what was at the time, the English colonies.
It’s a heartbreaking story, reminding us that certain groups of humans, throughout history and into the present day, believe that having darker skin is proof enough that someone else isn’t completely human. (although it seems more logical that the reverse is true, but I digress)
Having moved to Portugal a few months ago I’m still in the very early stages of learning about the country’s history, especially those aspects which involve colonization. My naive view had limited that topic to just Brazil, but I am coming to realize the complexity of Portugal’s history.
It was the article on Wanda Tucker that opened my eyes to Portugal’s involvement in Africa, as well as their participation in the slave trade, especially the slave trade in Angola. How did I not know this? Did they not teach me this in school? Or had I conveniently forgotten? I was shocked by the brutality of it all, as slave traders would often capitalize on the dynamics of warring factions within Angola’s borders.
“Capture and Coffle of Enslaved Africans, Angola, 1786-87”, Slavery Images:
A Visual Record of the African Slave Trade and Slave Life in the Early African Diaspora
Unfortunately, it is all too common to limit an understanding of history to our own, localized situation rather than fully embrace the big picture. While I knew that slaves were brought to America from Africa, my thoughts centered on the plight of these slaves once they were living in the deep south – how they were treated, how they were ultimately emancipated, how they are still treated by many – not on the point of origin, method of capture, or the participation of European countries playing ethnically superior colonial rulers. I was missing half the story.
I’m far from done with my newfound quest to better understand the history of slavery in America, as well as the lingering remnants of ethnic prejudice and discrimination that still exist within much of the population. And this quest will serve as a reminder to look beyond the immediate scope of any (every) story created within the confines of limited knowledge.
Do read the USA Today story about Wanda Tucker, and if you’re in the process of crafting a personal narrative, ask yourself what truths lie one step beyond, one lever deeper. They may help you create a more impactful story.
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De Oratore by Cicero – Book 2 – The Effects of Oratory
/in Cicero, Narrative, Storytelling, Writing/by Mark LovettIn addition to being a lawyer, politician and philosopher, Cicero (Marcus Tullius Cicero) was also a preeminent Roman orator. Drawing on the teaching of Greek rhetoric and the craft of oration in Roman times, he composed De Oratore to highlight the principles he believed were at play whenever someone planned to speak on an important topic.
While political speeches and legal proceedings were at the forefront of public speaking during this time, the concepts presented here are valuable in the drafting of any nonfiction narrative. Written in 55 BC, and comprised of three books, De Oratore is a dialogue that is set in 91 BC.
Cicero shares a dialogue, reported to him by Cotta, among a group of excellent political men and orators, who came together to discuss the crisis and general decline of politics. They met in the garden of Lucius Licinius Crassus’ villa in Tusculum.
Lucius Licinius Crassus – Quintus Mucius Scaevola – Quintus Catulus
Marcus Antonius Orator – Gaius Aurelius Cotta – Publius Sulpicius Rufus
Determining the order in which to present all your story blocks is one of the most powerful aspects of narrative structure, and one of the most difficult to master. You’ve identified the various elements that can tell your story, then you’ve selected those which best support your argument, idea or experience. Now the challenge is arrangement – which block goes where.
How to open, how to lead the audience on the journey, and finally, how to conclude your talk so that the listener understands what you have shared. Your story resonates emotionally and intellectually. While there are no rules for this structure, keep in mind the need to grab their attention early on, keep them engaged throughout the entire talk, and have it all make sense.
If your story is compelling, and presented with the same energy and passion that mirrors your thoughts and feelings, and if it impacts the audience and inspires them to see the world with a fresh perspective, then Antonius believes that your message will not only resonate, but has the power to alter their memory, and thus, remain with them.
Keep these ideas in mind as you work on the sequence of your story blocks. If the audience believes what you’re saying (ethos), then finds their heart touched by your words (pathos), and the logic holds up (logos), you will maximize the impact of your story.
[De Oratore excerpts from Delphi Complete Works of Cicero, Translated by J. S. Watson]
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Follow Your Passion, Or Just Enjoy Life
/in Career, Entrepreneurs, Humanity, Passion/by Mark LovettIn each moment we’re writing the story of our life based on the decisions we make, and a big part of that story revolves around the career path we choose. On that point, the sage wisdom of the 21st century is to follow your passion. Which, by definition, implies that everyone has a passion to follow. But in my experience, that’s not always the case.
Over the years I’ve worked with hundreds of business leaders, entrepreneurs, professors, veterans and students, developing personal stories that include such career-based decisions, and the driving forces behind those choices.
The word passion comes up during these conversations, but not in the way one might expect. As it turns out, life decisions – both personal and career related – involve a complex medley of intellectual and emotional threads coursing through hearts and minds, often in a most perplexing pattern.
When the topic of passion does arise – I’ll overly simplify here for the sake of discussion – people tend to fall into one of three camps. They have too many passions, they have clarity on their one, true passion, or passion wasn’t a factor when determining their vocational path.
Image by Breakingpic from Pexels
We’ve all met people who knew what they wanted to do from an early age. They fell in love with science while standing in the backyard watching the night sky, were captivated by art and carried a sketchpad everywhere they went, or they spent hours each evening incessantly practicing an instrument. Decades later they were still pursuing that one passion, as no other opportunity that crossed their path in the ensuing years had caused them to stray.
Image by Arek Socha from Pixabay
For those with a handful of passions, life tends to be a blend of excitement and frustration. Too many pursuits with so few hours in each day. In some cases the choices are narrow in scope, such as which discipline to pursue within the field of neuroscience, but the options can also be quite diverse, such as whether to become a doctor or a ballerina.
Sometimes that journey leads to a major/minor relationship. A brilliant surgeon by day, and musician by night, a best-of-both-worlds sort of life, though it must be said this particular combination doesn’t work so well in reverse. Other times the choice is made, often for more practical reasons such as money, and there was no looking back.
Then we have the aimless souls without desire or direction, just stumbling through life. Or so the purpose pundits would have us believe. But when I ask these folks about passion, they smile, and say something like, “Don’t have one, have never needed one, I just enjoy my work.”
“Find a job you enjoy doing, and you will never have to work a day in your life.” – Mark Twain
And that mindset can result in a string of jobs that, in many cases, cover a number of career paths which overlap, intersect, or build upon each other. The graphic designer that shifted to building websites and, ultimately, toward creating content which took them into social media. It’s not a matter of reaching a skill-based pinnacle, but rather a quest to explore and stretch.
Truth be told, I’m a proud member of this cohort. Looking back, I would have to say that my career path wasn’t a result of following a passion, but rather a series of opportunities, each of which offered the promise of learning, which is one thing I enjoy above most everything else.
I’ve enjoyed my corporate adventures in operations, information systems, marketing, and a CEO stint. And my days organizing TEDx events – despite the trials, travails and tribulations – were most enjoyable. The team members I worked with were incredible (I learned a lot from each of them) and there was nothing more gratifying than seeing speakers (and performers) take the stage to share, illuminate and delight audiences.
Backstage at TEDxSanDiego 2015
The thought of having pursued one of these avocations has an appeal, to be world-class in a specific discipline. To be at the top of my game, complete with all the industry adulation. But I would have lost out on the diversity of learning that I’ve enjoyed. The viewing of life from so many perspectives.
So if you have a passion that drives you, then dive in, go deep, and master your craft. But if professional passion is not your cup of tea, it’s okay to just enjoy what you do, and let it feed your passion for life. In the end, it will still be a story well told.
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De Oratore by Cicero – Book 2 – The Emotions of Oratory
/in Audience, Cicero, Emotions, Truth/by Mark LovettIn addition to being a lawyer, politician and philosopher, Cicero (Marcus Tullius Cicero) was also a preeminent Roman orator. Drawing on the teaching of Greek rhetoric and the craft of oration in Roman times, he composed De Oratore to highlight the principles he believed were at play whenever someone planned to speak on an important topic.
While political speeches and legal proceedings were at the forefront of public speaking during this time, the concepts presented here are valuable in the drafting of any nonfiction narrative. Written in 55 BC, and comprised of three books, De Oratore is a dialogue that is set in 91 BC.
Cicero shares a dialogue, reported to him by Cotta, among a group of excellent political men and orators, who came together to discuss the crisis and general decline of politics. They met in the garden of Lucius Licinius Crassus’ villa in Tusculum.
Lucius Licinius Crassus – Quintus Mucius Scaevola – Quintus Catulus
Marcus Antonius Orator – Gaius Aurelius Cotta – Publius Sulpicius Rufus
It’s common to believe we make decisions based on logic first and emotions second – does it make sense, and then, do we like it – but sadly the reverse is our reality. Our choices need to feel good first, and if they do, then we look toward the facts as a way to seal the deal.
It’s the same process in storytelling, as well in storylistening. Too often a speaker will want to offer information as their narrative’s foundation, layering on the human elements afterward. I encourage clients to change course and give listeners a reason to empathize before engaging their brains. As I see it, information invites judgement, while emotions invite connection.
While the previous passage dealt with two elements of Aristotle’s rhetoric; Pathos (emotions) and Logos (logic), in this case, however, Antonius is addressing the mysterious nature of the third element – Ethos (ethics).
What is the audience’s gut feel about the speaker? Do they feel he or she is honest, authentic and trustworthy? Some speakers will stretch the truth a bit, embellishing their abilities and track record as a way to impress the audience. But in such cases the audience will usually see through a smoke screen of eloquent delivery.
Keep these observations in mind as you think about the sequence of your story blocks. If the audience believes what you’re saying, then finds their heart touched by your words, and the logic holds up, you will maximize the impact of your story.
[De Oratore excerpts from Delphi Complete Works of Cicero, Translated by J. S. Watson]
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The Emotional Side of Storytelling
/in Audience, Emotions, Narrative, Storytelling/by Mark LovettPersonal storytelling is all about sharing and understanding. The sharing of your experiences, views, insights, opinions, perspectives and wisdom, in the hopes that your audience – in front of people and/or by way of video or audio production – will gain a newfound understanding of the important topic at the center of your story, as well as better knowing you, the speaker.
In order to achieve this enhanced level of understanding, and to foster positive change as a result, there are two questions that I always pose to a speaker as they develop their story:
1) What will the audience think?
2) How will the audience feel?
The thinking part is a mixture of information and logic – the facts that you offer to support your message, and the way in which those facts are arranged. (more on this in a future post)
The feeling part is about the emotional reaction(s) that your audience will have, both during and after your presentation. In most cases a great talk will create feelings of being inspired, empowered and hopeful. Despite the negative aspects and implications that you may reveal during your speech, as problems are rarely upbeat in nature, you also include a proposed solution that invites the audience to participate, thus offering the vision of a brighter future.
For example, a story about traveling to Mars in a spaceship may evoke feelings of excitement, as well as fear, pride and hope, while a talk about overcoming the challenges you faced in order to become a successful entrepreneur may evoke feelings of connection and empathy, as well as inspiration and determination.
Listed below are examples of how an audience might feel during or after hearing your story. It is by no means comprehensive – it’s up to you to determine the emotions that you want to convey in your story – so feel free to add to this collection as you see fit.
As you draft each Story Block while working on your manuscript, think about the emotion you want the audience to feel during each point in the story. While recognizing the importance of word choice, do the words/phrases/sentences as written properly represent those feelings?
And when you enter the presentation phase and begin rehearsing, make sure your voice also matches the intended emotion. This is where vocal variation can really shine in its ability to bring your words to life. Record yourself, then play it back and listen to the tone, volume and inflection of your voice. If you’re rehearsing in front of friends or family, ask them if the emotions in your voice match the intent of your words. They’ll usually hear any mismatches.
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