Nadia Lopez: Why open a school? To close a prison @ TED Talks Live

TED Talks Live were held at The Town Hall Theater in NYC, in November of 2015. I had the pleasure of attending all six nights to hear speakers present impactful Ideas Worth Spreading. This post is an analysis of a talk by Nadia Lopez on the power of the education system to change lives.

As some of you may know, I worked on two events held inside a state prison. TEDxDonovanCorrectional was an eye-opening experience, as the men that I coached often told me stories about growing up without a proper education. It wasn’t an uncommon story for a teenager to drop out of school and join a gang. Nadia’s story is a reminder that changes to the education system are possible, but it takes a new vision and a dedicated team to make that happen.

Watch Nadia’s TED Talk. It’s an ideal example of personal storytelling that is effective within a short timeframe. Then review your own manuscript. Have you tightened your prose to be direct and impactful? Does every sentence matter?

Transcript

(my notes in red)

When I opened Mott Hall Bridges Academy in 2010, my goal was simple: open a school to close a prison. Now to some, this was an audacious goal, because our school is located in the Brownsville section of Brooklyn — one of the most underserved and violent neighborhoods in all of New York City. Like many urban schools with high poverty rates, we face numerous challenges, like finding teachers who can empathize with the complexities of a disadvantaged community, lack of funding for technology, low parental involvement and neighborhood gangs that recruit children as early as fourth grade.

Notice how much the first line, in just 20 words, says about the story. Her action – opening the academy. When action happened – 2010. Her goal – opening a school to close a prison. We don’t know what that means, exactly, so she’s caught our interest and we want to know the answer. In the next 2 sentences she goes deeper into the background of the story – the neighborhood, poverty rates, finding teachers, lack of funding, parents and gangs. All of this is revealed in less than a minute. She makes every word count.

She shows a slide comparing the rate of shootings between the Brownsville section of Brooklyn to all of Manhattan. The visual is easy to understand – the comparison startling.

So here I was, the founding principal of a middle school that was a district public school, and I only had 45 kids to start. Thirty percent of them had special needs. Eighty-six percent of them were below grade level in English and in math. And 100 percent were living below the poverty level.

Nadia uses 3 key statistics to illustrate the difficulties that she faced – 30% special needs, 86% below grade level, 100% below poverty level. With few words we come to understand the extent of the challenge that’s ahead of her.

If our children are not in our classrooms, how will they learn? And if they’re not learning, where would they end up? It was evident when I would ask my 13-year-old, “Young man, where do you see yourself in five years?” And his response: “I don’t know if I’m gonna live that long.”

In a longer talk Nadia could have given us more background on her son, but I doubt that it would have done anything to increase the impact of considering a 13-year-old who doubts whether he will celebrate his 18th birthday.

Or to have a young woman say to me that she had a lifelong goal of working in a fast-food restaurant. To me, this was unacceptable. It was also evident that they had no idea that there was a landscape of opportunity that existed beyond their neighborhood.

We call our students “scholars,” because they’re lifelong learners. And the skills that they learn today will prepare them for college and career readiness. I chose the royal colors of purple and black, because I want them to be reminded that they are descendants of greatness, and that through education, they are future engineers, scientists, entrepreneurs and even leaders who can and will take over this world. To date, we have had three graduating classes, at a 98 (applause) At a 98-percent graduation rate. This is nearly 200 children, who are now going to some of the most competitive high schools in New York City.

The narrative shifts from background to the students in her school, with a brief description of her philosophy, and ending with a statistic – 98% graduation rate – that is in stark contrast to the opening set of statistics. Contrast is a powerful way to use statistics.

It was a cold day in January when my scholar, Vidal Chastanet, met Brandon Stanton, the founder of the popular blog “Humans of New York.” Brandon shared the story of a young man from Brownsville who had witnessed violence firsthand, by witnessing a man being thrown off of a roof. Yet he can still be influenced by a principal who had opened up a school that believes in all children. Vidal embodies the story of so many of our underprivileged children who are struggling to survive, which is why we must make education a priority.

The narrative shifts again, this time to a specific student and a blogger – a story block about other people. Showing a picture of Vidal also serves to humanize the segment. We are now able to experience more than her words. Vidal is a vivid part of the story too.

Brandon’s post created a global sensation that touched the lives of millions. This resulted in 1.4 million dollars being raised for our scholars to attend field trips to colleges and universities, Summer STEAM programs, as well as college scholarships. You need to understand that when 200 young people from Brownsville visited Harvard, they now understood that a college of their choice was a real possibility. And the impossibilities that had been imposed upon them by a disadvantaged community were replaced by hope and purpose.

Nadia then shares the result of that blog post, using a statistic – 1.4 million dollars – and what that number equates to – field trips, STEAM programs, college scholarships. We easily follow the chain of events – student, blogger, post, donations, programs – it’s clear in our mind.

The revolution in education is happening in our schools, with adults who provide love, structure, support and knowledge. These are the things that inspire children. But it is not an easy task. And there are high demands within an education system that is not perfect.

But I have a dynamic group of educators who collaborate as a team to determine what is the best curriculum. They take time beyond their school day, and come in on weekends and even use their own money to often provide resources when we do not have it. And as the principal, I have to inspect what I expect.

So I show up in classes and I conduct observations to give feedback, because I want my teachers to be just as successful as the name Mott Hall Bridges Academy. And I give them access to me every single day, which is why they all have my personal cell number, including my scholars and those who graduated — which is probably why I get phone calls and text messages at three o’clock in the morning.

We come back to the topic of education, the revolution that’s happening, the educators dedication, her personal commitment to everyone involved in the process. And she turns the spotlight on the people who are part of the team to give them credit for their contribution.

But we are all connected to succeed, and good leaders do this. Tomorrow’s future is sitting in our classrooms. And they are our responsibility. That means everyone in here, and those who are watching the screen. We must believe in their brilliance, and remind them by teaching them that there indeed is power in education.

In her closing, Nadia brings the audience into the narrative and emphasizes the responsibility that we all share, to support the power in education. There’s no specific call to action – to volunteer at your local school, or donate money, or write to a politician – it’s a simple reminder that we hold the future of these young students in our hands.

Thank you.

Note her composure on stage, and her measured pace of speaking that makes the narrative and underlying message easy to understand. Yet you can still hear the passion in her voice. Without moving across the stage Nadia turns to address each section of the audience, making direct eye contact. She also uses her hands in a way that emphasizes key words.

At under 7 minutes this story says a lot, and serves as an example of how much can be said in a short amount of time. But in my opinion, I would appreciate a longer talk, maybe in the 12 minute range, as I know she has so much more to say. But that’s just me. How about you? Where there questions on your mind at the end, or issues that you wanted to hear more about? This is one of the biggest challenges we all have when crafting a personal story. Maximizing the impact in the time allowed. So make sure every word counts.

[Note: all comments inserted into this transcript are my opinions, not those of the speaker, the TED organization, nor anyone else on the planet. In my view, each story is unique, as is every interpretation of that story. The sole purpose of these analytical posts is to inspire a storyteller to become a storylistener, and in doing so, make their stories more impactful.]

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Pixar Storytelling – It Starts With An Idea

If you haven’t seen a Pixar animated movie, I’ll assume you have been living on a (nearly) deserted island. Their first feature film was Toy Story, released some 25 years ago. After 22 films, $14 billion in box office revenue, and an acquisition by Disney, they’re still creating films that touch our heart and change the way we think about the world.

You can read more about the fascinating history of Pixar, but in short, they are master storytellers. And while it’s doubtful that your personal story will end up in a Pixar movie, the process they use to create their films can teach us a lot about the craft of storytelling – characters, plot, emotion, wisdom, life.

It all begins with an idea.

It’s the first thing I ask someone who says they have a story to tell. What’s the idea, or the point, or the message that is driving your story. If you don’t know where you’re going, how are you going to get there?

Luckily, the creation of your story is not as complex as the Pixar process – no need to hire any simulation technical artists – but a takeaway from this welcome video is the need for revision / editing along the way. Nothing comes out perfect the first time. It’s an iterative endeavour that enriches your story, bit by bit.

The power of story is that it has an ability to connect with people on an emotional level.

Even when creating a fictional story, the writer needs to put an element of themselves into the narrative as a way to convey how they’re feeling. The same holds true in your story. It’s not just a sequence of events. That’s rather boring. The audience needs to know how the experience felt to you.

Check in next week for another glimpse into the world of Pixar storytelling!

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The Challenges of Story Compression

One of the most difficult challenges every storyteller faces is how to compress days / months / years / centuries when crafting a narrative. For example, the Roman Empire lasted some 500 years, yet books on the topic are typically under 500 pages, which illustrates how many facts the authors had to cut. Even when the subject is as narrow as the life of one person, such as Julius Caesar, that same page count only allows for the highlights. Volumes of data are left behind.

So imagine the difficulty in reducing an entire life – and in this case it’s quite an illustrious life – into a twenty minute podcast. Could you compress your life into twenty minutes? Rather frustrating for most folks. But such is the mastery of Nate DiMeo, founder of The Memory Palace, with his insightful story about Robert Smalls. You might call The Wheel a master class in story compression.

This excerpt from Wikipedia will give you some indication of Robert Smalls’ life, though it’s just one chapter of a saga that’s hard to fathom. Listen to Nate’s narrative and you’ll gain a much better sense of Robert’s keen ability to plan and execute. The other thing you will notice is the difference between information – as provided by Wikipedia – and narrative nonfiction – as spoken by Nate DiMeo.

Robert Smalls (April 5, 1839 – February 23, 1915) was an American politician, publisher, businessman, and naval pilot. Born into slavery in Beaufort, South Carolina, he freed himself, his crew, and their families during the American Civil War by commandeering a Confederate transport ship, CSS Planter, in Charleston harbor, on May 13, 1862, and sailing it from Confederate-controlled waters of the harbor to the U.S. blockade that surrounded it. He then piloted the ship to the Union-controlled enclave in Beaufort-Port Royal-Hilton Head area, where it became a Union warship. His example and persuasion helped convince President Abraham Lincoln to accept African-American soldiers into the Union Army.

Even without personal knowledge of the area, and few details of the historical moment, you can still imagine the scene of a blockade off the coast, of Robert’s desire to escape slavery in The South, and the impossible notion of stealing a Confederate boat in order to make his escape. There is the briefest mention of his mother, his wife and two daughters, yet you clearly see the stakes involved in his decision to take that boat, to risk it all.

With the visual references to slaves being bought and sold, to being whipped in the fields, you come to embrace the motivation, despite the stakes, to take that boat, to take the wheel, at the age of 23. The escape took hours, but in just a few seconds Nate takes us onboard the Confederate gunboat CSS Planter, where we feel the tension, the odds stacked against success.

I’ll leave it to you to hear the story to its conclusion. To marvel at the fact that his heroic exit from South Carolina wasn’t the end of the story. How he served in the Union Navy.  How he returned to Beaufort after the war, became a politician and served in both the South Carolina State legislature and the United States House of Representatives.

By the story’s conclusion I felt as though I had been listening for hours, while being taken on a magnificent journey of one man’s incredible life. But when I checked the clock, only twenty minutes had passed. Story compression is a time warp, an experience that doesn’t leave you feeling short-changed.

If you have a desire to tell your life story – on a podcast or on a stage – if only to cover the highlights, yet feel that the challenge of compressing your story to a reasonable length is next to impossible, revisit this podcast. In fact, do yourself a favor and subscribe to The Memory Palace. Every episode is a master class in how to captivate an audience and reveal the essence of what it means to be human, and do so in a matter of minutes.

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A Social Innovation Story, Impactathon 2020

I’m not the biggest fan of social media, but I do appreciate the benefit of making connections on digital platforms, as I never know when someone will reach out with an interesting offer. Such was the case when Neetal Parekh sent me a note on LinkedIn. Having seen some of my answers on Quora in regards to my time spent organizing TEDx events, she had a few questions about the TEDx model.

It turns out Neetal was an event organizer in her own right, having produced a series of Impactathons as a way to inspire social entrepreneurs in their quest to tackle the world’s most pressing social issues. She’s also the author of the book 51 Questions on Social Entrepreneurship, the host of The Impact Podcast by Innov8social, as well as a frequent speaker, facilitator, and moderator on topics including social enterprises and social entrepreneurship.

Her next event, Impactathon for Future Flourishing, was focused on the vexing problem of global poverty, and after our deep dive into the crazy world of TEDx organizing, Neetal ask if I would like to be an Impact Catalyst and provide the participants with a few tips on storytelling. I was happy to help.

Innov8social Impactathon 2020

Preceding the Impactathon I had the pleasure of recording an interview along with Mwihaki Muraguri, an impact storyteller and Principal at Paukwa House. We had a great conversation in regards to storytelling in the social impact arena as the entrepreneurs formed teams and began crafting their pitches.

Curious About Impactathon?

Impactathon 2020 Executive Summary

What is an Impactathon®?

Impactathons are impact-focused hackathon experiences designed to engage participants in mapping problems and designing solutions that address the needs of our global society. Teams of social entrepreneurs come up with innovative ideas for creating change, and the process culminates with brief pitches before a panel of judges.

  • Designed for learning – They incorporate best practices from the science of learning including focused and diffuse learning.
  • Engaging a problem-solving mindset – Providing frameworks and incorporating design-thinking principles.
  • Co-created with local partners – Providing frameworks and incorporating design-thinking principles.

Why Engage in an Impactathon®?

  • Hear Impact Talks from thinkers and doers in the space.
  • On topics such as how to identify gaps in a system, why some social enterprises fail, how to stay aligned with a mission, how to create a meaningful career in social impact.
  • Engage in social impact through a hackathon experience.
  • Including design thinking approach, getting feedback, using concepts of lean methodology, pivoting, working in teams, pitching, using storytelling and presentation techniques.
  • Learn core concepts of engaging in the social impact sector.
  • Such as how to frame a problem (root causes v. symptom), how to adopt a social entrepreneurship mindset, examples of business models, legal structures, and ways to measure social impact.
  • Join a global community of aligned impact problem solvers.
  • Meet your next co-founder, investor, or team member during Impactathon. After the event, you will have the option to join and engage with fellow Impactathoners, including participants, speakers, and mentors and learn about emerging resources in the space.

What Do Participants Say?

“Impactathon embodies the spirit of social innovation in an organic, authentic way through programmed problem solving, real collaboration, and action-oriented ideation.”

“There is something about being surrounded by passionate, innovative people who truly want to make the world better. Impactathon is a fun and collaborative experience that is incredibly energizing.”

“What really impressed me about the Impactathon was how it offered its participants different outlets to generate ideas, or simply get the creative juices flowing.”

Hats off to Neetal and all of the social impact entrepreneurs who participated in this year’s Impactathon!

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The Three Dimensions of Public Speaking

Humans have been making public speeches for thousands of years, but until recently, the number of folks doing so has remained rather small, in single digits percentage wise. Unless you were a politician, business leader or social activist, you were in the audience listening, but much has changed in recent decades.

With the advent of venues such as Creative Mornings, the TED Conference and TEDx events now held around the world, as well as storytelling podcasts such as The Moth or The Narrators, and story conferences like the Future of StoryTelling or The Power of Storytelling, the cachet of storytelling has never been greater.

More importantly, public speaking / storytelling skills have become fundamental attributes for any employee working in the commercial and/or nonprofit sectors. If you can’t tell your story, as well as the stories of your organization, customers and stakeholders, you’re at a disadvantage. So what makes a speaker impactful?

There are many factors that go into crafting and delivering stories that inform, enlighten, even challenge a listener, but here are three dimensions that form the foundation of public speaking. (p.s. they’ve been relevant for a few millennium)

The Three Dimensions of Public Speaking

Often referred to as the KLT Factor, the marketing world has long touted the idea that consumers buy products from someone they know, and like, and trust.

But if we traveled back to ancient Greece we might hear Aristotle speak about rhetoric and his take on ethos, pathos and logos (ethics, emotions and logic) as key attributes possessed by great speakers and found in moving speeches.

The discipline of business decision making often refers to the combination of head, heart, and gut (intellect, emotion and intuition).

As you can see, these parallels point to a speaker’s credibility or trustworthiness, combined with a story’s ability to touch us emotionally, and for the narrative to make sense. It’s the combination of all three that creates story magic.

To see how it’s done, take a moment to spin up Robin Steinberg’s TED Talk that explores the bail system in America – how it works, what’s wrong with it, and her solution to the problem.

Robin’s personal story establishes credibility on the topic, as it’s her profession. She also spends time explaining how the system works, or doesn’t, and uses the experience of someone who was victimized by an unfair system to bring out the emotional side of the story. Thus, we come to believe her, and her argument.

As you craft a story of your own, make sure you address each of these critical dimensions. Will an audience place their faith in you through a bond of trust? Will they feel your story in a way they can relate to? Will their intellectual side be satisfied with the logic of your proposition? If one of these factors is missing, their confidence in your idea will be too.

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